Crash Of The Crown: Vinyl LP

A new era of hope, survival, and prosperity comes calling with the release of CRASH OF THE CROWN, STYX’s new studio album, which was written pre-pandemic and recorded during the trying times of the pandemic.

The legendary rockers--James “JY” Young (lead vocals, guitars), Tommy Shaw (lead vocals, guitars), Chuck Panozzo (bass, vocals), Todd Sucherman (drums, percussion), Lawrence Gowan (lead vocals, keyboards) and Ricky Phillips (bass, guitar, vocals)--will release their 17th album June 18 on the band’s label, Alpha Dog 2T/Ume.

Whether it’s the heady rush of the groundwork-laying opening track “The Fight of Our Lives,” the wistfully observational treatise of “Reveries,” the cautionary extended hand of comfort and redemption that frames “Hold Back the Darkness,” the undeniable uplift of “Our Wonderful Lives” (a beautiful sentiment further embellished by a most welcome, first-ever appearance by a banjo on a STYX album!), or the elegiac clarion call for shared grace in “To Those,” CRASH OF THE CROWN is music that is both concurrently of its time and truly timeless all at once. Although the official release date for this landmark album may be time-stamped as 2021, the omnisciently observational content of CRASH OF THE CROWN readily brings to mind an amalgamation of historical events that occurred in 1066, 1455, 1775, 1861, 1941, and even 2001 without citing any of them by name — Winston Churchill’s prescient wartime observations that permeate the pervasive pleas of “Save Us From Ourselves” notwithstanding. In essence, CRASH OF THE CROWN (or COTC, for short) is a modern-day sonic chronograph of the endless regenerative cycle of the rise and fall — and rise again — of our shared human experience.

“We’ve never been a protest band. We’re more like a gospel caravan trying to send out positive messages wherever we go,” observes CRASH OF THE CROWN co-creator and overall visionary Tommy Shaw, who joined STYX in December 1975 as a guitarist/vocalist and instantly became one of the band’s most important songwriters. “In order to share those positive messages, you have to look at what the problems are first to figure out all the ways you can help make sure everything’s going to be alright. That’s a very important part of how we do what we do.”

Though COTC takes a hard look at some inherently dark subjects, the prevalent light at the end of the tunnel eventually becomes each song’s focal point — a persistent fervor to keep moving forward and achieve the greater good.

STYX’s holy mission for cutting CRASH OF THE CROWN was crystal-clear to its co-creator from the get-go. “Absolutely no obstacles were going to get in the way of how we approached creating this album,” Shaw concludes about the herculean recording efforts of his fellow COTC makers. “And everything came out exactly the way we wanted to hear it.”