{"title":"Bestsellers This Week","description":null,"products":[{"product_id":"the-line-is-a-curve-limited-orange-vinyl-lp","title":"The Line Is A Curve: Limited Orange Vinyl LP","description":"\u003cp class=\"MsoNormal\"\u003eMercury and BRIT nominated Kae Tempest’s fourth studio album ‘This Line Is A Curve’ featuring Grian Chatten, Lianna La Havas, Confucius MC, ãssia ghendir and Kevin Abstract, co-produced by Dan Carey and Rick Rubin.\u003c\/p\u003e\u003cp class=\"MsoNormal\"\u003eSpecification:\u003c\/p\u003e\u003cp class=\"MsoNormal\"\u003e1x Orange Vinyl LP inside a card inner sleeve with full album lyrics printed on either side\u003c\/p\u003e\u003cp class=\"MsoNormal\"\u003eTrack list:\u003c\/p\u003e\u003cp\u003eSIDE A\u003c\/p\u003e\u003cp\u003e1. Priority Boredom\u003cbr\u003e2. I Saw Light (with Grian Chatten)\u003cbr\u003e3. Nothing to Prove\u003cbr\u003e4. No Prizes (with Lianne La Havas)\u003cbr\u003e5. Salt Coast\u003cbr\u003e6. Don’t You Ever\u003c\/p\u003e\u003cp\u003eSIDE B\u003c\/p\u003e\u003cp\u003e7. These are the Days\u003cbr\u003e8. Smoking (with Confucius MC)\u003cbr\u003e9. Water in the Rain (with ãssia ghendir)\u003cbr\u003e10. Move\u003cbr\u003e11. More Pressure (with Kevin Abstract)\u003cbr\u003e12. Grace\u003c\/p\u003e","brand":"Kae Tempest","offers":[{"title":"Default Title","offer_id":44504274501917,"sku":"B3453601","price":22.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/4842\/8061\/files\/CCFD9CE7-2480-4CBF-B540-112F88ED934B.png?v=1787067185"},{"product_id":"act-iii-white-vinyl-lp","title":"ACT III: White Vinyl LP","description":"\u003cdiv\u003e\u003cdiv\u003e\u003cdiv\u003e\u003cdiv\u003e\u003cdiv\u003e\u003cdiv\u003e\u003cp\u003eKasabian release their hotly anticipated 9th studio album, Act III via Columbia Records. Draped in Serge’s instantly recognisable hazy vocals, the album is 10 tracks of guitar-driven, psyche-infused pop and 3 interludes. Packed to the brim with hooks and a strong dose of swagger, the album cements Kasabian as one of the UK’s most essential bands of the 21st century.  \u003c\/p\u003e\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e","brand":"Kasabian","offers":[{"title":"Default Title","offer_id":51111383695645,"sku":"19958441651","price":27.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/4842\/8061\/files\/1_67_281_29_281_29_281_29.jpg?v=1783066206"},{"product_id":"airbourne-vinyl-lp","title":"AIRBOURNE: Vinyl LP","description":"\u003cdiv\u003e\u003cdiv\u003e\u003cdiv\u003e\u003cdiv\u003e\u003cdiv\u003e\u003cdiv\u003e\n\u003cp\u003eAustralian rockers Airbourne have never been ones to think small. But on their self-titled sixth studio album, they’ve outdone themselves. Airbourne, a name that has, after all, become synonymous with bombastic, beer-soaked, dangerous, sexy rock’n’roll. “This record distils everything we stand for into one album,” explains Ryan of the title. “It’s the best album that we could possibly make.”\u003c\/p\u003e\n\u003cp\u003eReuniting with the powerhouse production team of Brian Howes (who produced 2013’s Black Dog Barking) and engineer Mike Fraser (who worked on 2016’s Breakin’ Outta Hell and 2010’s No Guts. No Glory.), the band knuckled down at Music Farm Studio in “the jungle” outside Byron Bay. The complex boasts the original Neve console from Alberts Studios, on which bands like AC\/DC, Rose Tattoo and The Angels recorded their landmark early albums.\u003c\/p\u003e\n\u003cp\u003eIt’s all presented in a meticulously crafted package mixed by Zakk Cervini (BMTH, Architects) that captures the passion, fire and sweat-soaked danger of a band at the peak of their powers, complete with drums that sound like canons and guitars that cut like buzzsaws.\u003c\/p\u003e\n\u003cp\u003e“Alive After Death” and “Send Me To Rock’N’Roll Heaven” pay tribute to the band’s fallen idols, the latter referencing Lemmy, The Angels’ Doc Neeson, John Bonham, Bon Scott, Little Richard and more. Joel wrote the lyrics to the barnstorming “Alive After Death” one night on the tour bus, reflecting on how these legends’ music makes them immortal. Elsewhere there are tales from the road (“Bogota”), songs of defiance and never giving in (“Last Man Standing”, “Hell’s Got No Vacancy”, “Gutsy”) and more sex (“Sky High”). All that’s left now is for Airbourne to return to the stage, safe in the knowledge they’ll be bringing with them the best album they’ve made. \u003c\/p\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e","brand":"AIRBOURNE","offers":[{"title":"Default Title","offer_id":51196668018973,"sku":"SPINE800909P","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/4842\/8061\/files\/Airbourne-vinyl-packshots-black.jpg?v=1784501352"},{"product_id":"airbourne-golden-nugget-vinyl-lp","title":"AIRBOURNE: Golden Nugget Vinyl LP","description":"\u003cdiv\u003e\u003cdiv\u003e\u003cdiv\u003e\u003cdiv\u003e\u003cdiv\u003e\u003cdiv\u003e\n\u003cp\u003eAustralian rockers Airbourne have never been ones to think small. But on their self-titled sixth studio album, they’ve outdone themselves. Airbourne, a name that has, after all, become synonymous with bombastic, beer-soaked, dangerous, sexy rock’n’roll. “This record distils everything we stand for into one album,” explains Ryan of the title. “It’s the best album that we could possibly make.”\u003c\/p\u003e\n\u003cp\u003eReuniting with the powerhouse production team of Brian Howes (who produced 2013’s Black Dog Barking) and engineer Mike Fraser (who worked on 2016’s Breakin’ Outta Hell and 2010’s No Guts. No Glory.), the band knuckled down at Music Farm Studio in “the jungle” outside Byron Bay. The complex boasts the original Neve console from Alberts Studios, on which bands like AC\/DC, Rose Tattoo and The Angels recorded their landmark early albums.\u003c\/p\u003e\n\u003cp\u003eIt’s all presented in a meticulously crafted package mixed by Zakk Cervini (BMTH, Architects) that captures the passion, fire and sweat-soaked danger of a band at the peak of their powers, complete with drums that sound like canons and guitars that cut like buzzsaws.\u003c\/p\u003e\n\u003cp\u003e“Alive After Death” and “Send Me To Rock’N’Roll Heaven” pay tribute to the band’s fallen idols, the latter referencing Lemmy, The Angels’ Doc Neeson, John Bonham, Bon Scott, Little Richard and more. Joel wrote the lyrics to the barnstorming “Alive After Death” one night on the tour bus, reflecting on how these legends’ music makes them immortal. Elsewhere there are tales from the road (“Bogota”), songs of defiance and never giving in (“Last Man Standing”, “Hell’s Got No Vacancy”, “Gutsy”) and more sex (“Sky High”). All that’s left now is for Airbourne to return to the stage, safe in the knowledge they’ll be bringing with them the best album they’ve made. \u003c\/p\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e","brand":"AIRBOURNE","offers":[{"title":"Default Title","offer_id":51196671525149,"sku":"SPINE801173P","price":27.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/4842\/8061\/files\/Airbourne-vinyl-packshots-goldnugget.jpg?v=1784501346"},{"product_id":"midnight-sun-girls-trip-yellow-pink-vinyl-2lp","title":"Midnight Sun: Girls Trip: Yellow \u0026 Pink Vinyl 2LP","description":"\u003cp\u003eMulti-platinum chart–topping global pop powerhouse Zara Larsson kicks her boldest era yet into overdrive with her heavily anticipated new album \u003cem\u003eMidnight Sun.\u003c\/em\u003e Created over the last year with frequent collaborator MNEK, alongside producer Margo XS and songwriter Helena Gao, this album is her best work to-date. Its storytelling bursts with truth and vulnerability, plumbing the depth and growth of Zara’s artistry and journey over nearly 20 years in the public eye. It’s an album unafraid to show all sides of the 27-year-old: lovestruck, wistful, ambitious, cocky, flippant, and uncertain, often in the same breath. This limited edition 20-track edition contains the original \u003cem\u003eMidnight Sun\u003c\/em\u003e album plus 10 additional reimagined versions.  \u003c\/p\u003e","brand":"Zara Larsson","offers":[{"title":"Default Title","offer_id":51207583072541,"sku":"19958444751","price":39.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/4842\/8061\/files\/ZL_GirlsTrip_2LP_HR.webp?v=1784299986"},{"product_id":"algorithm-vinyl-lp","title":"Algorithm: Vinyl LP","description":"\u003cp\u003eNatalie Imbruglia is known to millions as the star behind the global hit ‘Torn’ which remains one of the defining songs of the nineties. It started a phenomenal run of success which has included two BRIT Awards, three Grammy nominations, a Silver Clef, eight ARIA Awards, seven million sales of her debut album ‘Left of the Middle’, and a #1 for ‘Counting Down The Days’. Recent times have seen her back in the spotlight, having performed alongside Olivia Rodrigo. It’s the perfect time for a new chapter, which starts with the news that she will release her new album ‘Algorithm’\u003cbr\u003e\u003cbr\u003e‘Algorithm’ finds Natalie Imbruglia in a new era: one of empowerment, freedom and creative fulfillment. The Australian-British pop icon’s first album in five years is a tour de force, a deeply personal record to remind us precisely why we fell in love with her in the first place. It comes as the cultural zeitgeist shifts and pop edges back towards the dancefloor, its direction feeling in tune with the sophisticated pop, disco and house leanings of Robyn.\u003cbr\u003e\u003cbr\u003eNatalie says, “On this record I chose to work with collaborators who also co-produce so from start to finish we were all so invested in every song. I really hope that people get as much joy from listening to this record as we did making it. And that they dance their arses off.\u003cbr\u003e\u003cbr\u003eThis was by far the most fun I’ve ever had making a record. It also happened to coincide with the most challenging time I’ve had with my mental health. This is the beauty of music and artistic expression. You can take something dark and turn it into light.”\u003cbr\u003e\u003cbr\u003eThe single ‘Upside Down’ opens with a flourish of bright synths and energetic percussion, with Natalie’s distinctive lilt floating above. As she reaches the chorus, it grows brighter – kaleidoscopic, shimmering – and we hear her relinquishing control, and ultimately finding clarity in a song which came from a feeling of shame surrounding her mental health.\u003cbr\u003e\u003cbr\u003eShe explains, “The inability to control my emotions, wrestling with fight or flight mode, was awful, and I was reaching this critical point with it. In a way, the song is about how sheer willpower – trying to force your way out of something – doesn’t always work. You need tools, support. So that’s where the song was born from, that fight to maintain a semblance of what some might consider normality.”\u003c\/p\u003e\u003cp\u003eTRACKLIST: \u003cbr\u003e1. Debbie\u003cbr\u003e2. Upside Down\u003cbr\u003e3. Catastrophe\u003cbr\u003e4. Algorithm\u003cbr\u003e5. Sounds Like It Feels\u003cbr\u003e6. Jesus On Mars\u003cbr\u003e7. Who Dimmed The Lights\u003cbr\u003e8. End Game\u003cbr\u003e9. Just Drive\u003cbr\u003e10. 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It started a phenomenal run of success which has included two BRIT Awards, three Grammy nominations, a Silver Clef, eight ARIA Awards, seven million sales of her debut album ‘Left of the Middle’, and a #1 for ‘Counting Down The Days’. Recent times have seen her back in the spotlight, having performed alongside Olivia Rodrigo. It’s the perfect time for a new chapter, which starts with the news that she will release her new album ‘Algorithm’\u003cbr\u003e\u003cbr\u003e‘Algorithm’ finds Natalie Imbruglia in a new era: one of empowerment, freedom and creative fulfillment. The Australian-British pop icon’s first album in five years is a tour de force, a deeply personal record to remind us precisely why we fell in love with her in the first place. It comes as the cultural zeitgeist shifts and pop edges back towards the dancefloor, its direction feeling in tune with the sophisticated pop, disco and house leanings of Robyn.\u003cbr\u003e\u003cbr\u003eNatalie says, “On this record I chose to work with collaborators who also co-produce so from start to finish we were all so invested in every song. I really hope that people get as much joy from listening to this record as we did making it. And that they dance their arses off.\u003cbr\u003e\u003cbr\u003eThis was by far the most fun I’ve ever had making a record. It also happened to coincide with the most challenging time I’ve had with my mental health. This is the beauty of music and artistic expression. You can take something dark and turn it into light.”\u003cbr\u003e\u003cbr\u003eThe single ‘Upside Down’ opens with a flourish of bright synths and energetic percussion, with Natalie’s distinctive lilt floating above. As she reaches the chorus, it grows brighter – kaleidoscopic, shimmering – and we hear her relinquishing control, and ultimately finding clarity in a song which came from a feeling of shame surrounding her mental health.\u003cbr\u003e\u003cbr\u003eShe explains, “The inability to control my emotions, wrestling with fight or flight mode, was awful, and I was reaching this critical point with it. In a way, the song is about how sheer willpower – trying to force your way out of something – doesn’t always work. You need tools, support. So that’s where the song was born from, that fight to maintain a semblance of what some might consider normality.”\u003cbr\u003e\u003cbr\u003eTRACKLISTING\u003cbr\u003e1. Debbie \u003cbr\u003e2. Upside Down \u003cbr\u003e3. Catastrophe \u003cbr\u003e4. Algorithm \u003cbr\u003e5. Sounds Like It Feels \u003cbr\u003e6. Jesus On Mars \u003cbr\u003e7. Who Dimmed The Lights \u003cbr\u003e8. End Game \u003cbr\u003e9. Just Drive \u003cbr\u003e10. 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It started a phenomenal run of success which has included two BRIT Awards, three Grammy nominations, a Silver Clef, eight ARIA Awards, seven million sales of her debut album ‘Left of the Middle’, and a #1 for ‘Counting Down The Days’. Recent times have seen her back in the spotlight, having performed alongside Olivia Rodrigo. It’s the perfect time for a new chapter, which starts with the news that she will release her new album ‘Algorithm’\u003cbr\u003e\u003cbr\u003e‘Algorithm’ finds Natalie Imbruglia in a new era: one of empowerment, freedom and creative fulfillment. The Australian-British pop icon’s first album in five years is a tour de force, a deeply personal record to remind us precisely why we fell in love with her in the first place. It comes as the cultural zeitgeist shifts and pop edges back towards the dancefloor, its direction feeling in tune with the sophisticated pop, disco and house leanings of Robyn.\u003cbr\u003e\u003cbr\u003eNatalie says, “On this record I chose to work with collaborators who also co-produce so from start to finish we were all so invested in every song. I really hope that people get as much joy from listening to this record as we did making it. And that they dance their arses off.\u003cbr\u003e\u003cbr\u003eThis was by far the most fun I’ve ever had making a record. It also happened to coincide with the most challenging time I’ve had with my mental health. This is the beauty of music and artistic expression. You can take something dark and turn it into light.”\u003cbr\u003e\u003cbr\u003eThe single ‘Upside Down’ opens with a flourish of bright synths and energetic percussion, with Natalie’s distinctive lilt floating above. As she reaches the chorus, it grows brighter – kaleidoscopic, shimmering – and we hear her relinquishing control, and ultimately finding clarity in a song which came from a feeling of shame surrounding her mental health.\u003cbr\u003e\u003cbr\u003eShe explains, “The inability to control my emotions, wrestling with fight or flight mode, was awful, and I was reaching this critical point with it. In a way, the song is about how sheer willpower – trying to force your way out of something – doesn’t always work. You need tools, support. So that’s where the song was born from, that fight to maintain a semblance of what some might consider normality.”\u003c\/p\u003e\n\u003cp\u003eTRACKLIST: \u003cbr\u003e1. Debbie\u003cbr\u003e2. Upside Down\u003cbr\u003e3. Catastrophe\u003cbr\u003e4. Algorithm\u003cbr\u003e5. Sounds Like It Feels\u003cbr\u003e6. Jesus On Mars\u003cbr\u003e7. Who Dimmed The Lights\u003cbr\u003e8. End Game\u003cbr\u003e9. Just Drive\u003cbr\u003e10. 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This evocative, high-intensity montage portrays a momentous American epoch that is yet to be named, and comes in the aftermath of the largest public protests in American history - focused on opposition to ICE raids, the militarisation of domestic forces, and state authoritarianism.\u003cbr\u003e \u003cbr\u003e“Boots on the Ground” is the first Massive Attack music distributed under a Spotify exemption policy. Further releases are scheduled prior and subsequent to the band’s run of live performances, including their forthcoming European tour and summer festival headlines. \u003cbr\u003e \u003cbr\u003eIn keeping with the band's sector leading efforts to reduce carbon emissions across both live activity and recorded output, Massive Attack have partnered with Good Neighbor to produce an ‘EcoSonic’ pressing. 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