{"title":"CD","description":"","products":[{"product_id":"the-world-wont-listen-vinyl-2lp","title":"The World Won't Listen: Vinyl 2LP","description":"Restock of this classic title back in stock late March","brand":"Unknown","offers":[{"title":"Default Title","offer_id":44504461345053,"sku":"825646658817","price":46.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/4842\/8061\/files\/SharedImage-132403.jpg?v=1748034996"},{"product_id":"to-our-children-s-children-s-children-50th-anniversary-edition-4cd-blu-ray","title":"To Our Children’s Children’s Children 50th Anniversary Edition: 4CD + Blu-Ray","description":"\u003cp\u003eIssued in November 1969, “To Our Children’s Children’s Children” was the first album release by the Moody Blues on their own label, Threshold Records. Regarded as one of the finest of their so-called “classic seven” albums, the record covered conceptual themes such as space exploration (as the sessions took place as the Apollo 11 moon landing occurred). With such classic tracks as “Watching and Waiting”, “Gypsy”, “Beyond” and “Eternity Road”, the album was a number 2 hit in the UK and reached Gold status in the USA.\u003c\/p\u003e\n\n\u003cp\u003eThis deluxe edition features the remastered original stereo mix, along with new stereo and 5.1 Surround Sound mixes by Stephen W. Tayler who has also remixed a legendary performance at the Royal Albert Hall in December 1969 in both stereo and 5.1 Surround Sound which features in this set on both CD and a Blu Ray disc. Also included is a rare BBC Radio Concert from December 1969.\u003c\/p\u003e\n\n\u003cp\u003e \u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eCD One: “To Our Children’s Children’s Children” – The original album re-mastered\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003col\u003e\n\t\u003cli\u003eHigher and Higher\u003c\/li\u003e\n\t\u003cli\u003eThe Eyes of a Child – Part One\u003c\/li\u003e\n\t\u003cli\u003eFloating\u003c\/li\u003e\n\t\u003cli\u003eThe Eyes of a Child - Part Two\u003c\/li\u003e\n\t\u003cli\u003eI Never Thought I’d live to be a Hundred\u003c\/li\u003e\n\t\u003cli\u003eBeyond\u003c\/li\u003e\n\t\u003cli\u003eOut and In\u003c\/li\u003e\n\t\u003cli\u003eGypsy\u003c\/li\u003e\n\t\u003cli\u003eEternity Road\u003c\/li\u003e\n\t\u003cli\u003eCandle of Life\u003c\/li\u003e\n\t\u003cli\u003eSun is Still Shining\u003c\/li\u003e\n\t\u003cli\u003eI Never Thought I’d Live to be a Million\u003c\/li\u003e\n\t\u003cli\u003eWatching and Waiting\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eCD Two: B-sides \/ Alternative Versions\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003col\u003e\n\t\u003cli\u003eCandle of Life (single version) - B-side of single – Released as Threshold TH4 in April 1970\u003c\/li\u003e\n\t\u003cli\u003eGypsy (alternate version)\u003c\/li\u003e\n\t\u003cli\u003eSun is Still Shining (extended version)\u003c\/li\u003e\n\t\u003cli\u003eCandle of Life (alternate version)\u003c\/li\u003e\n\t\u003cli\u003eGypsy (BBC Radio One - David Symonds’ Sunday Concert 17th December 1969)\u003c\/li\u003e\n\t\u003cli\u003eThe Sunset (BBC Radio One - David Symonds’ Sunday Concert 17th December 1969)\u003c\/li\u003e\n\t\u003cli\u003eNever Comes the Day (BBC Radio One - David Symonds’ Sunday Concert 17th December 1969)\u003c\/li\u003e\n\t\u003cli\u003eAre You Sitting Comfortably (BBC Radio One - David Symonds’ Sunday Concert 17th December 1969)\u003c\/li\u003e\n\t\u003cli\u003eThe Dream (BBC Radio One - David Symonds’ Sunday Concert 17th December 1969)\u003c\/li\u003e\n\t\u003cli\u003eHave You Heard \/ The Voyage \/ Have you Heard (BBC Radio One - David Symonds’ Sunday Concert 17th December 1969)\u003c\/li\u003e\n\t\u003cli\u003eNights in White Satin (BBC Radio One - David Symonds’ Sunday Concert 17th December 1969)\u003c\/li\u003e\n\t\u003cli\u003eLegend of a Mind (BBC Radio One - David Symonds’ Sunday Concert 17th December 1969)\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eCD Three: Live at the Royal Albert Hall, 12th December 1969 - The new stereo mix\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003col\u003e\n\t\u003cli\u003eGypsy\u003c\/li\u003e\n\t\u003cli\u003eThe Sunset\u003c\/li\u003e\n\t\u003cli\u003eDr. Livingstone I Presume\u003c\/li\u003e\n\t\u003cli\u003eNever Comes the Day\u003c\/li\u003e\n\t\u003cli\u003ePeak Hour\u003c\/li\u003e\n\t\u003cli\u003eTuesday Afternoon\u003c\/li\u003e\n\t\u003cli\u003eAre You Sitting Comfortably\u003c\/li\u003e\n\t\u003cli\u003eThe Dream\u003c\/li\u003e\n\t\u003cli\u003eHave You Heard \/ The Voyage \/ Have you Heard\u003c\/li\u003e\n\t\u003cli\u003eNights in White Satin\u003c\/li\u003e\n\t\u003cli\u003eLegend of a Mind\u003c\/li\u003e\n\t\u003cli\u003eRide My See Saw\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eCD Four: “To Our Children’s Children’s Children” – The new stereo mix\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003col\u003e\n\t\u003cli\u003eHigher and Higher\u003c\/li\u003e\n\t\u003cli\u003eThe Eyes of a Child – Part One\u003c\/li\u003e\n\t\u003cli\u003eFloating\u003c\/li\u003e\n\t\u003cli\u003eThe Eyes of a Child - Part Two\u003c\/li\u003e\n\t\u003cli\u003eI Never Thought I’d live to be a Hundred\u003c\/li\u003e\n\t\u003cli\u003eBeyond\u003c\/li\u003e\n\t\u003cli\u003eOut and In\u003c\/li\u003e\n\t\u003cli\u003eGypsy\u003c\/li\u003e\n\t\u003cli\u003eEternity Road\u003c\/li\u003e\n\t\u003cli\u003eCandle of Life\u003c\/li\u003e\n\t\u003cli\u003eSun is Still Shining\u003c\/li\u003e\n\t\u003cli\u003eI Never Thought I’d Live to be a Million\u003c\/li\u003e\n\t\u003cli\u003eWatching and Waiting\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc Five – Blu-ray Disc: “To Our Children’s Children’s Children” - *New 5.1 Surround Sound mix, 96 kHz \/ 24-bit new stereo mix, 96 kHz \/ 24-bit original stereo mix*\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003col\u003e\n\t\u003cli\u003eHigher and Higher\u003c\/li\u003e\n\t\u003cli\u003eThe Eyes of a Child – Part One\u003c\/li\u003e\n\t\u003cli\u003eFloating\u003c\/li\u003e\n\t\u003cli\u003eThe Eyes of a Child - Part Two\u003c\/li\u003e\n\t\u003cli\u003eI Never Thought I’d live to be a Hundred\u003c\/li\u003e\n\t\u003cli\u003eBeyond\u003c\/li\u003e\n\t\u003cli\u003eOut and In\u003c\/li\u003e\n\t\u003cli\u003eGypsy\u003c\/li\u003e\n\t\u003cli\u003eEternity Road\u003c\/li\u003e\n\t\u003cli\u003eCandle of Life\u003c\/li\u003e\n\t\u003cli\u003eSun is Still Shining\u003c\/li\u003e\n\t\u003cli\u003eI Never Thought I’d Live to be a Million\u003c\/li\u003e\n\t\u003cli\u003eWatching and Waiting - 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She communes so completely with every sound on the record, with the past and the future, animals and insects and birds, those so tenderly dead, and those of us who are alive. Listening to the record is a transcendent experience. It's an exorcism, one that exorcises you. Domestic Sphere, produced by Foster and collaborator Daniel Blumberg, is an altar cloth of songs stitched together as liturgical music for a restless homestead, whose values insist simply that everything is music and that our daily life is a sacred, innately creative practice. In such a world creaking door reveal natural orchestras with wailing cats in service of melodic collaborations with Tennessee songbirds, Foster's world is an extra-sensory radio play in two acts, where songs overlay structures like creeping vines. A seance by song, Josephine channels sounds from her interior and exterior landscapes, whether integrating field recordings reflecting daily life in a Spanish village and other moments in her life as a nomadic musician, or, as in one tender cameo, the voice of her great-grandmother comes from the other side. These songs are vigils, melodies sung intently, to be set aflame and sung off with the wind. \u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003e“Powerful and eccentric” Pitchfork\u003cbr\u003e\n“A dreamily unique talent” The Guardian\u003c\/em\u003e\u003c\/p\u003e\n","brand":"Josephine Foster","offers":[{"title":"Default Title","offer_id":44636455469341,"sku":"FIRECD684","price":12.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/4842\/8061\/files\/0031198164_10.jpg?v=1749599305"},{"product_id":"a-paranormal-evening-with-the-moonflower-society-limited-edition-mediabook-cd","title":"A Paranormal Evening With The Moonflower Society: Limited Edition Mediabook CD","description":"\u003cp\u003eDarkness descends over the hall, the curtain rises. Dear audience, welcome to the wondrous otherworld of Avantasia!\u003c\/p\u003e\n\n\u003cp\u003eWith his ninth album, \"A Paranormal Evening with the Moonflower Society\", Tobias Sammet invites you to join him on an enchanted journey into his own version of reality, which is full of fantastic events and encounters.\u003c\/p\u003e  \n\n\u003cp\u003eIt is a captivating, deeply magical universe that Tobias Sammet has built over the past two decades. Since his debut \"The Metal Opera\" (2001), the Peter Pan of international rock and metal has romped between metal, classical and rock, beguiling the biggest festivals around the world with his traveling circus and working with the greatest voices in the metal world including Alice Cooper and Scorpions’ Klaus Meine.\u003c\/p\u003e\n\n\u003cp\u003eThe reward for his passionate work and years on the road: number one in the German album charts for the latest record \"Moonglow\" (2019), more than three million albums sold, over 250 million streams, sold-out world tours, and a fan base that listens to him live and in front of the home speakers with excitement and enthusiasm. Sometimes Tobias Sammet, also renowned for being singer, producer and songwriter in Edguy, cannot quite believe it all himself. \"My whole life is based on childish ideas and dreams, which amazingly I still get away with,\" he says incredulously. \"Even after 30 years, music is my favourite, biggest, only hobby. And the fact that I can make a living from it fills me with deep gratitude.\"\u003c\/p\u003e\n\n\u003cp\u003eBut of course he also does a lot for it. The construction of a new studio, for example - an investment that proves to be a pandemic stroke of luck in 2020: In his new realm, Sammet could indulge in his art while ignoring the world outside. \"I was faced with more time than ever before,\" he looks back. \"So I was paying as much attention to details and little things as I had in my early years. On the last records, I outsourced certain things to my producer Sascha Paeth, mostly just to save time. However, now I didn't have to save time. There hasn't been a record that sounded so much like me.\" Tinkering with sounds for nights, writing parts for his duet partners, arranging and singing the choirs himself - on \"A Paranormal Evening with the Moonflower Society\" Sammet is not only impresario, conductor and musician, he also handles a majority of the vocals, and presents himself at the top of his game.\u003c\/p\u003e\n\n\u003cp\u003eThus, a truly powerful, enchanted album was created in his new studio that proves to be equally furious, playful, orchestral, epic and profits from Tobias Sammet’s musical past and upbringing. \"I'm a child of the eighties. I grew up with 'Holy Diver,' Queen, but also 'Take On Me.' Maybe I have given a little more room to my many influences yet the result feels very consistent and coherent.\" One thing is for sure: Avantasia has never sounded so fresh, so dynamic and refined, so detached from time and space - a perfect union of the young, hot-headed Sammet and the accomplished storyteller of the here and now. Because above all, Avantasia is about stories, set in a strange, mythical and unique world. \"I have processed many things from my life and tailored them to my fantastic characters. As a result, the songs develop a life of their own that others can identify with,\" Sammet says. \"Songs are therapeutical for me, so there is always something personal behind the fantastic themes. I want to stimulate the listener's imagination, but not simply offer bland escapism. Avantasia is not a musical where the wizard defeats the evil forest spirit in the seventh song. There's always more to it.\"\u003c\/p\u003e\n\n\u003cp\u003eThe project, which used to be particularly famous for its changing guest singers, has long since become a band, a family. \"We even have a joint WhatsApp group where there's always something going on,\" Sammet grins. “We are a conspiratorial bunch, a gang.\"\u003c\/p\u003e\n\n\u003cp\u003eAlso on \"A Paranormal Evening with the Moonflower Society\" a lot of old acquaintances duel with Tobias Sammet in the vocal department: Eric Martin, Michael Kiske, Ronnie Atkins, Geoff Tate or Bob Catley, for example. \"I wanted a classic Avantasia album, so of course I relied on people who accompany Avantasia for a long time. They are also part of this band, thus there is no need to change that all of a sudden.\"\u003c\/p\u003e\n\n\u003cp\u003eStill, of course, there are still voices he has always wanted to work with. On his new album, the contributions from Floor Jansen and Ralf Scheepers make him particulay happy. He had intended the power ballad ‘Misplaced Among the Angels’ for the Nighwish vocalist. “The song was ready and she could well imagine to sing it but was not sure if it would fit her tone”, Sammet details. So, he quickly wrote the rocking, symphonic \"Kill The Pain Away\" for their duet. “The rest was a matter of days and after she had finished nailing this track, she was more comfortable with “Misplaced Among the Angels”, too, and sang it without further ado. And delivered like a beast!\"\u003c\/p\u003e\n\n\u003cp\u003eAs first single, Sammet picked the hard-hitting, galloping \"The Wicked Rule The Night”, a perfect choice for vocal tornado Ralf Scheepers. \"Nobody on this planet could have sung this song better,\" Sammet notes. \"I wanted to hit people right away with the first single. 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The year of the corona-pandemic, when the music world was forced into a standstill, five old friends put in motion an old idea that had been lingering - and what eventually was to become a new band and powerhouse: The Halo Effect.\nThe members of The Halo Effect are not only masters of their domain, but also some of the pioneers of the Gothenburg melodeath scene; Lead guitarists and melodic deathslingers Niclas Engelin and Jesper Strömblad, lead singer and raging growler and lyricist Mikael Stanne, further on adding to this mix is the solid backbone and foundation of power bassist Peter Iwers, and his partner in crime since twenty plus years, hard-hitting drummer Daniel Svensson.\u003c\/p\u003e\n\n\u003cp\u003eKnowing each other from an early age during the late 80’s and then playing together in different constellations during the 90’s, they came to dominate the Metal scene in Gothenburg - mainly being part of the two major bands and metal exports In Flames and Dark Tranquillity, also two of the pioneers and major forces behind the melodeath monicker: The Gothenburg Sound. A sound that would echo far and wide across the world and influence countless of metal bands during the 90’s and early 2000’s.This was also the initial thought behind The Halo Effect - to go back to the roots and\nexplore what the groundbreaking metal sounded like then. And add the experience and skills of what the members could bring to the table now. \u003c\/p\u003e\n\n\u003cp\u003eThe result is an exceptional album and real tour de force to fans of melodeath where the echoes of the Gothenburg\nSound is evident. The Halo Effect delivers the goods in a brutally efficient display of heart pounding beats, melodic mayhem and furious growling at its best. Raw, yetmelodic, and in your melted face.Buckle up and remove your ear plugs. 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From 1993’s Wounded Land debut onwards, the enduring creative core of guitarist Karl Groom and keyboard maestro Richard West constructed a unique new strain of heavy, progressive music, combining incisive melodies, thought-provoking lyrics and intricate but thunderous arrangements. Whether fronted by current vocalist Glynn Morgan, who first sang with Threshold on 1994’s Psychedelicatessen, the late, great Andrew ‘Mac’ McDermott (a member from 1998 to 2007), or three-time alumnus Damian Wilson, Threshold have marched inexorably forward across three decades of creative fervour, arguably hitting a new peak of potency on the conceptual and musical splurge of 2017’s Legends Of The Shires. With Glynn Morgan back in the fold, the Brits’ enduring line-up of Groom, West, drummer Johanne James and bassist Steve Anderson somehow pushed themselves to new heights, receiving widespread acclaim and finding themselves in more demand than ever before. Despite the unavoidable setback of a global pandemic, Threshold arrive in 2022 in the best of health.\u003c\/p\u003e\n\n\u003cp\u003eFollowing up a newly-minted classic was always going to present Threshold with a challenge, but the band’s twelfth studio album swiftly confirms that the challenge has been met. Darker, heavier and even more adventurous than its predecessor, Dividing Lines reveals a band with a lot on their collective mind, while also boasting some of the most wildly inventive and melodically potent material they have ever recorded.\u003c\/p\u003e\n\n\u003cp\u003eDespite its many tense and tumultuous moments, Dividing Lines is also a showcase for just how much fun Threshold are having right now. 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And all the while, right there on the news, another distant storm approaches.\u003c\/p\u003e\n","brand":"Pixies","offers":[{"title":"Default Title","offer_id":44805116166429,"sku":"405053880738","price":16.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/4842\/8061\/products\/SharedImage-137989_b388cee1-9b60-4d5e-a2c6-36eae9ad1a4e.jpg?v=1682089088"},{"product_id":"eyes-of-oblivion-cd","title":"Eyes Of Oblivion: CD","description":"Legendary Swedish high energy rock'n'roll band THE HELLACOPTERS were formed in 1994 by Nicke Andersson (vocals and guitar), Andreas Tyrone \"Dregen\" Svensson (guitar), Kenny Håkansson (bass) and Robert Eriksson (drums). Andersson is renowned for his work in death metal band ENTOMBED and Dregen from his main band BACKYARD BABIES. Together with THE HIVES, THE HELLACOPTERS are considered one of the most important and influential Swedish rock bands - they achieved two Gold certifications, won the Swedish grammy and a Kerrang! award, and have amassed 100 million streams to date. THE HELLACOPTERS reunited in 2016 and have proven an unstoppable force ever since, performing at Sweden Rock Festival, Psycho Las Vegas, Download, Hellfest, Roskilde, Ilosaarirock, and many more. In 2021, THE HELLACOPTERS signed a deal with Nuclear Blast Records and will return in Spring 2022 with their first studio album since over a decade. ","brand":"The Hellacopters","offers":[{"title":"Default Title","offer_id":44805135499549,"sku":"406562963002","price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/4842\/8061\/files\/SharedImage-129996.png?v=1748034445"},{"product_id":"heimdal-cd","title":"Heimdal: CD","description":"\u003cp\u003eIn true Enslaved fashion, the Bergen voyagers’ 16th album, “Heimdal”, is both a departure and a communion with roots forged over three decades ago in the turbulent birth throes of Norway’s black metal scene. Founded in 1991 by the then precociously young Ivar Bjørnson and Grutle Kjellson, Enslaved were determined to set out on a different course from their Satanic, church-burning peers, turning their attention towards Viking lore and writing the majority of the lyrics for their 1994 debut album, “Vikingligr Veldi“, in Icelandic for its proximity to Old Norse.\u003c\/p\u003e\n\n\u003cp\u003eIf subsequent albums, “Frost” and “Eld” – spelling out the dynamic, combinative properties of ice and fire – remain incandescent marker points for Norway’s black metal scene, they were signposts too. Contained within their fevered, sloshing riffs and pomp-infused atmospheres were swells of anticipation and an embryonic sense of destiny. They were tantalising glimpses of the wide-open spaces that have become Enslaved’s guiding principle as they’ve come to straddle the extreme and progressive worlds, with their restless spirit the source of an ongoing journey of wide-eyed discovery.\n2020’s “Utgard” album was the beginning of a new phase for the band, delving deeper into the esoteric nature of Nordic mythology, but finding more precise jump-off points for a leap into the unknown. More streamlined than its multi-layered predecessors, “In Times” and “E”, if only to prise open new expanses to explore, its ruminations on the shadowy, titular land of the Norse Jotun ice giants found parallels with the psychological states of the unconscious, and the pilgrimage into our own hearts of darkness that’s the start of the route to all self-knowledge. Of course, even themes of introspection were transformed into kaleidoscopic sonic adventurism, ranging from blackened, frostbitten charges, through lush, billowing, groove-bolstered updrafts to view-above-the-cloudline vistas and even dives into syncopated, krautrock-inspired wormholes.\u003c\/p\u003e\n\n\u003cp\u003eFor Enslaved, each stage of a journey plants a seed for the next. After 2021’s interim EP, “Caravans To The Outer Worlds”, “Heimdal” offers another tangential act of discovery, another embarkation point for a solemn, expectant and exhilarating passage through the realms of the senses.“Heimdal” is named after arguably the most mysterious entity in Nordic mythology. Most famously known as the gatekeeper between the nine Norse realms, he’s a source of constant speculation, as scholars continue to offer new interpretations of his origins, and his purpose.\u003c\/p\u003e\n\n\u003cp\u003eThe father\/son relationship between the Heimdal and Odin figures mirrors the journey Enslaved have been on for 30 years: the dialogue between older and younger versions of oneself, and whether they are separate, or bound as one. As Ivar says, “It feels like yesterday we were 15 or 18 years old, driving around Haugesund throwing eggs at people during a rehearsal break, and then what the fuck, we have kids? It's sort of a mid-life Ragnarok – not a crisis, but a turning of the corner. Whether it’s the security you now have, or because you’re now dying in a sense more than growing up, that search for uncertainty becomes even more pressing.”\u003c\/p\u003e\n\n\u003cp\u003eThat dialogue between older and younger selves is apparent on “Heimdal” musically too. As far out as the album reaches, you’ll find homages to Enslaved’s formative influences, from bracing, German thrash riffs to the propulsive backbeat of Led Zeppelin. But they’re the motor for fresh, and often unexpected pastures.\u003c\/p\u003e\n\n\u003cp\u003eBeginning with the creaking of ropes, the lapping of waves, and the blowing of a horn, “Behind The Mirror”, is a mix of wanderlust and Grutle’s flint-edged prophetic sermons. “Congelia” rides the crest of the most furious of waves, while “Kingdom” is a tumbling, psychedelic odyssey with a heart-in-mouth, up-is-down momentum that only labelmates Oranssi Pazuzu could match. But it’s the constant shifting and counterpoints of “Heimdal”’s overall dynamics that give it such a sense of immersion and wholeness.\u003c\/p\u003e\n\n\u003cp\u003eIf you find yourself not knowing where “Heimdal” is going to take you next, that is very much the point. The album is bookended by “Behind The Mirror” and the title track itself, both of which reflect each other conceptually, in terms of being in thrall to their own of transitional states.\u003c\/p\u003e\n\n\u003cp\u003e“I would say that Heimdal is an album that points towards new beginnings and a dawn that’s on the other side of the apex of the land,” Ivar explains. “You don’t know what’s on the other side, but you go there. It’s a continuation of the ‘Utgard’ concept. Of course, you have to go into the darkness, that’s all metal and good, but the consequence is that you have to go into the dawn and see what the new day brings.”\n“Heimdal” is reflection of paths travelled, a promise of a new beginning, and a rite of passage between the two. Truly an album for all times.\u003c\/p\u003e\n","brand":"Enslaved","offers":[{"title":"Default Title","offer_id":44805220991261,"sku":"406562966182","price":12.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/4842\/8061\/files\/SharedImage-145240.png?v=1747954216"},{"product_id":"opvs-contra-natvram-limited-edition-digibook-cd","title":"Opvs Contra Natvram: Limited Edition Digibook CD","description":"\u003cp\u003eIn the annals of metal there is no band more synonymous with an unswerving commitment to the single-minded defiance of expectation than BEHEMOTH. Over the course of their remarkable 31-year career, these Polish hellraisers – spearheaded by Adam Darski, aka Nergal – are more than just the architects of their country’s legendary extreme metal scene. Over the course of three decades and previous 11 albums, Nergal’s singular vision has forged BEHEMOTH into something far more than a mere black metal band. Beyond any confines of genre, they have grown to become nothing less than the personification of rebellion, individuality and unflinching self-expression informed by a literate worldview and worldliness that’s resulted in a locking of horns with everything from the mainstream press to the Polish Catholic church – most notably manifesting in Nergal’s trial for blasphemy in 2010 that only served to expose the deep-seated hypocrisies that his music seeks to challenge. It also highlighted the distinct lack of fucks that he has to give.\u003c\/p\u003e  \n\n\u003cp\u003eNow world-renowned and yet exuberantly underground in their convictions, BEHEMOTH are perhaps the unlikeliest of success stories, but if their stratospheric ascent and hard-won commercial achievement can be attributed to anything, it’s a cast-iron unwillingness to compromise. As Opvs Contra Natvram, their 12th studio release heralds from the rooftops – their longevity is down to a resolute commitment to find new ways to enthrall and inspire their ever-growing legion of latter-day heretics, a determination which shows no signs of erosion. It’s changing times and new battles to fight to which Nergal attributes BEHEMOTH’s unique ability to sound fresh despite their incredible tenure. Therein lies the inspiration for the album’s title and striking cover artwork.\u003c\/p\u003e   \n\n\u003cp\u003eNever being fully satisfied and never getting comfortable is the basis of the ferocious sounds to be found on Opvs…, too, and as Nergal explains, our viral armageddon afforded him the perfect opportunity to luxuriate in the one thing that BEHEMOTH’s growing empire has never afforded him - time. \u003c\/p\u003e  \n\n\u003cp\u003e“This is the most thoughtful, the most thought-through, the most mature thing we’ve done – it’s quintessentially BEHEMOTH” he says. “It’s just bangers – all meat, no fat.” \nRenowned for his meticulous attention to detail and absolute creative control of BEHEMOTH’s world, the depressurised environment afforded by the pandemic meant that for nearly the first time since the band’s inception there was no deadline to observe, allowing for a nearly unprecedented level of attention to the process of writing and recording.\u003c\/p\u003e  \n\n\u003cp\u003eThe 12 chapters of fury that make up Opvs Contra Natvram were written and recorded over the course of a very strange year for the world, a situation which only heightened the level of craft seen in these 43 minutes and 15 seconds of honed, searing wrath. As with previous studio outings, Opvs… was produced by BEHEMOTH with engineering duties undertaken by acclaimed Meshuggah, Dimmu Borgir and In Flames producer Daniel Bergstrand. Mixing, however, involved a new player on the chessboard who you’d be hard-pressed to guess - famed producer and mixer Joe Barresi, a studio legend with a breathtaking credits list which includes Queens of the Stone Age, Nine Inch Nails, Alice in Chains and Tool just to name a few. He was chosen for his celebrated ability to simultaneously preserve a studio recording’s organic feel and identity, and the inspiration for the decision comes from a place you’d least expect.\u003c\/p\u003e  \n\n\u003cp\u003e“So much sounds flat,” says Nergal. “It’s not about how professional you sound, because everything sounds professional and overproduced these days, but you don’t need to make everything perfect – just let it breathe. When you listen to David Bowie, every song has identity – I asked, ‘does the scene really need another album that sounds like everything else?’ Every record I’ve made is me standing in front of motherfucking Mount Everest. Do I make it? Well I have to try.”\u003c\/p\u003e   \n\n\u003cp\u003eAnd from the sound of Opvs… there is no doubting the artistic summit that Nergal and BEHEMOTH are aiming for. From the colossal energy of opener Post-God Nirvana to the epic and righteous indignation of Ov My Herculean Exile and album-closer Versvs Christvs - a riveting extended track featuring piano and clean vocals which are destined to turn heads BEHEMOTH’s latest is the ultimate soundtrack to these strange and troubled times.\u003c\/p\u003e   \n","brand":"Behemoth","offers":[{"title":"Default Title","offer_id":44805414420765,"sku":"727361598303","price":29.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/4842\/8061\/files\/SharedImage-135259.png?v=1746745355"},{"product_id":"rashomon-cd","title":"Rashomon: CD","description":"\u003cp\u003eSay the name TRIVIUM and reverence follows. That’s because in the annals of modern metal there are few stories more illustrious or celebrated than the one that began with that group of impossibly young Floridian misfits dreaming of the lighted stage over 20 years ago. In the time since those heady days, their career has been burnished by the kind of triumphs wrought by the sweaty toil of relentless touring and the steady anvil-beat of landmark releases that have won them a legion of fans around the world. Just as TRIVIUM have tirelessly forged their careers, so too have those ceaseless hammer-blows shaped Matt Heafy who, with each passing year, has taken shape as an artist, songwriter and thrilling frontman on stage, and one of metal’s most compelling voices when he’s off.\u003c\/p\u003e\n\n\u003cp\u003eGiven the close intertwining of Matt and TRIVIUM’s stories, you’d have thought the two would be inseparable, but not so, because IBARAKI – the name for a terrifying Japanese demon taken from feudal legend – is more than a solo record. As he tells it, it’s the end-result of a journey to find his voice. It’s personal, it’s deep, and as he explains, its inspirations include everything from an adoration for the extremes of black metal, to the exuberant storytelling of Gerard Way, to the adventuresome worldliness of tragic bon viveur Anthony Bourdain. It’s a reflection of his multifaceted interests as well as a profound affirmation of his Japanese-American identity, and one that led him to confront one of his family’s most tragic moments. Like the artist behind it, there is much to the story of IBARAKI and it began with a timid email to one of black metal’s most revered and influential figures.\n\tIt was Matt’s exposure to Ihsahn’s solo work that would inspire the gradual craftsmanship that would eventually become IBARAKI. It was also the beginning of a friendship and creative collaboration that would eventually compel Ihsahn to take a leap of his own into a newfound role as producer on the project. While much of the material for IBARAKI was assembled over those months and years – as much a songwriting process as an exchange of ideas between friends – it wasn’t until the pandemic that the space was created and the idea could really flourish. “It was very loose,” says Ihsahn. “We just had rough demos for a very long time because we’re arguably pretty busy people, but suddenly everything was cancelled and we had time on our hands for the first time, so it was like, ‘OK, let’s do this.’ We never got to work in the same room; he’d track guitars and send them to me, I’d run them through my studio and send them back. It was a new way of working, but it was like he was there on the other side of the glass. Matt is a very, very positive energetic and passionate music fan – we have similar attitudes to music and open mindedness. We hit it off, and it’s been really rewarding to me. I’ve always been on the artist's side, but Matt made it so easy for me because there’s no ego and he’s so open to new perspectives and he isn’t afraid of changing directions. He has such a wide range of musical influences. We talked about that and it was very obvious for me that he could extend his talents to a wider range. In all extreme genres there’s always a very small stereotypical framework of what you're supposed to do.”\u003c\/p\u003e\n\t\u003cp\u003eBut IBARAKI was more than just an expression of Matt and Ihsahn’s deep creative resonance. He got by with a little help from his friends, too. While primarily written by Matt, Ihsahn engineered and produced and contributed some song structures, plus TRIVIUM drummer Alex Bent and bassist Paolo Gregoletto and guitarist Corey Beaulieu contributed to various tracks. Ihsahn’s wife Heidi even sampled some natural sounds from the forest near their home and his entire family and Gerard Way contributed guest vocals to the song “Ronin”. “We got Nergal doing guest vocals on ‘Akumu’, too, which was just amazing,” says Matt\u003c\/p\u003e\t.\n\t\u003cp\u003eAs pivotal as Matt’s interactions with novice producer Ihsahn would be, it wasn’t just his perspective on music that was about to change. The shift that would imbue IBARAKI with its unique culturdentity – aside from its joyous musical eccentricities and creative sojourns which really have to be heard to be believed – but it’s the inspirational personal journey behind it that makes it a true standalone. That’s because just as Ihsahn encouraged Matt to break with the limiting musical conventions of the genre, he also motivated him to seek out new avenues for lyrical inspiration.\u003c\/p\u003e\n\t\u003cp\u003eMore than an album simply inspired by Japanese mythology and folklore, to Matt, IBARAKI is – like so many things from the land of the rising sun – an album that exists on two levels. The imaginary and the literal. The layers of meaning also abound, as do demons both real and imagined.So it wasn’t just the rich mythology and folklore of Japan that would give IBARAKI its unique aesthetics and influences – it would provide Matt with the catalyst to contemplate his own identity and to consider how recent tragedies stateside have highlighted the need for better representation in metal. 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But in 2002, Fatboy Slim, real name Norman Cook, performed the second of his free open-air concerts on Brighton beach in front of a record breaking crowd. From the first-time ravers, the veterans and the dedicated superfans to the curious locals, it felt like the world went down to Brighton for what would become known as the biggest free party in British history: Fatboy Slim’s Big Beach Boutique II.  In 2022, Fatboy Slim and Anglo Management are collaborating with BMG to produce a 20th Anniversary celebratory product for those who were there, those who missed out and those that weren’t even born yet, alongside two celebratory events taking place back on Brighton Beach in July.\u003c\/p\u003e","brand":"Fatboy Slim","offers":[{"title":"Default Title","offer_id":44805580849437,"sku":"BRASS127BOX","price":56.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/4842\/8061\/files\/SharedImage-137972.png?v=1745964768"},{"product_id":"vaxis-ii-a-window-of-the-waking-mind-cd","title":"Vaxis II - A Window Of The Waking Mind: CD","description":"\u003cp\u003eVaxis II: A Window of the Waking Mind, Coheed And Cambria’s ambitious thirteen track album is produced by the band’s own Claudio Sanchez and Zakk Cervini, and will be released worldwide on May 27th.  The news comes on the heels of the arrival of the band’s anthemic new single, “The Liars Club,” and is joined by an official animated music video introducing the opening chapter of the Vaxis II story.Vaxis II: A Window of the Waking Mind welcomes us back to “The Amory Wars” as the 2nd instalment of the new five-part “Vaxis” arc about a couple on the run from tyrannical forces and their mysterious new addition. Named one of REVOLVER’s “Most Anticipated Albums of 2022,” Vaxis II: A Window of the Waking Mind includes the recently released singles “Rise, Naianasha (Cut The Cord)” and “Shoulders”. “(It) masterfully pairs heavy metal-infused riffs with sweeping, melodic vocals in a way that only Coheed can,” declared MTV who placed “Shoulders” in their 2021 Favourites round-up. “Coheed and Cambria are back, and they’re heavy as ever,” asserted Billboard, with Guitar World attesting “Coheed and Cambria have come out swinging.” For the last 20 years, Coheed and Cambria have continuously broken the mould of what a rock band can be, forging their own path and building a universe around their music unlike any other. Whether it is in the way their genre-spanning approach to songwriting has allowed them to bridge worlds without being contained to one, or the multifaceted story arc of their albums and comic book series which mark the longest running concept story in music, Coheed and Cambria have consistently shaped new standards, never conformed. Comprised of Claudio Sanchez (Vocals \/ Guitar), Travis Stever (Guitar), Josh Eppard (Drums) and Zach Cooper (Bass) the band has gripped listeners and press around the globe with their visionary compositions and conceptual mast\n\u003c\/p\u003e","brand":"Coheed And Cambria","offers":[{"title":"Default Title","offer_id":44805971771677,"sku":"75678640766","price":13.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/4842\/8061\/files\/SharedImage-132493.jpg?v=1747091021"},{"product_id":"will-of-the-people-cd","title":"Will Of The People: CD","description":"\u003cp\u003eGrammy Award winning English rock band Muse will release their long-awaited ninth studio album Will Of The People on August 26th via Warner Records. Of the album, Muse frontman Matt Bellamy says, “Will Of The People was created in Los Angeles  and London and is influenced by the increasing uncertainty and instability in the world.  A pandemic, new wars in Europe, massive protests \u0026amp; riots, an attempted insurrection, Western democracy wavering, rising authoritarianism, wildfires and natural disasters and the destabilization of the global order all informed Will Of The People.  It has been a worrying and scary time for all of us as the Western empire and the natural world, which have cradled us for so long are genuinely threatened.  This album is a personal navigation through those fears and preparation for what comes next.”\u003c\/p\u003e\n\n\u003cp\u003eWith Muse being Muse, there is NO bowing to any singular genre.  The album’s title track “Will Of The People” brings playful provocation to a dystopian glam-rocker while there is an innocence and a purity to the nostalgic electronic textures of “Verona.” From the visceral thrill of “Won’t Stand Down,” to the industrial-tinged, granite heavy riffs of “Kill Or Be Killed,” or the lightning-bolt rush of “Euphoria,” the album concludes with the frenetic finale of the brutally honest “We Are Fucking Fucked.”\u003c\/p\u003e\n\n\u003cp\u003eOn the band’s new single “Compliance,” Bellamy says, “‘Compliance’ is about submission to authoritarian rules and reassuring untruths to be accepted to an in-group.  Gangs, governments, demagogues, social media algorithms \u0026amp; religions seduce us during times of vulnerability, creating arbitrary rules and distorted ideas for us to comply with.  They sell us comforting myths, telling us only they can explain reality while simultaneously diminishing our freedom, autonomy and independent thought.  We are not just coerced, we are herded, frightened and corralled to produce a daily ‘2 minutes of hate’ against an out-group of their choosing and to turn a blind eye to our own internal voice of reason \u0026amp; compassion.  They just need our Compliance.”\u003c\/p\u003e\n\n\u003cp\u003e“Compliance” is immediately addictive, embellished with sleek synths and elements of off-kilter alt-pop.  As Bellamy sings, “We just need your compliance \/ You will feel no pain anymore \/ No more defiance \/ Just give us your compliance,”  the crashing of the drums and intermittent bass cause the song to swell with power.  The accompanying video (directed by Jeremi Durand and shot in Poland) was inspired by the film ‘Looper’ and follows three children wearing masks destroying their future selves in order to escape a dystopian and oppressive world. Watch HERE.\u003c\/p\u003e\n \n\u003cp\u003eWill Of The People was produced by Muse. Key collaborators include mixing on eight tracks by the multiple Grammy Award winner Serban Ghenea; mixing from Dan Lancaster on “Won’t Stand Down,” and additional mixing on “Kill Or Be Killed” from Aleks von Korff. \u003c\/p\u003e\n \n\u003cp\u003eWill Of The People is now available to pre-order now, with “Compliance” and “Won’t Stand Down” provided as instant downloads. It will be released on digital, black vinyl and CD, as well as a selection of collectible formats. These include a marbled double-vinyl which is available exclusively from the band’s official store.\u003c\/p\u003e\n\n\u003cp\u003eMuse is Matt Bellamy, Dominic Howard and Chris Wolstenholme. Their last album, Simulation Theory, debuted at #1 in multiple territories  and marked the band’s sixth straight album to debut in the U.K top spot. Their previous studio album, Drones, went on to win a Grammy Award for Best Rock Album, the band’s second.. Since forming in 1994, Muse have released eight studio albums, selling over 20 million units worldwide.\u003c\/p\u003e","brand":"Muse","offers":[{"title":"Default Title","offer_id":44805994840349,"sku":"190296383731","price":11.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/4842\/8061\/files\/SharedImage-139342.jpg?v=1747090903"},{"product_id":"this-is-pil-vinyl-2lp","title":"This Is PiL: Vinyl 2LP","description":"\u003cp\u003ePublic Image Ltd can confirm that their first new album in 20 years ‘This Is PiL’  released on May 28th will contain 12 tracks (tracklisting below). The album is self-funded by PiL and will be released on PiL’s own label ‘PiL Official’ via Cargo UK Distribution. All the new material was recorded in the UK last year at Steve Winwood’s studio in the Cotswolds. John Lydon talks about ‘This Is PiL’:  “Well, 12 songs, where do I begin? Everything and anything that attracts my attention.  ‘One Drop’ is about my early youth in Finsbury Park.  Fantastic! Hello, we’re all teenagers don’t you forget it! At any age, stay young. ‘Lollipop Opera’  is basically a beautiful bunch of background noise and music to sum up Britain and all its wonderful ambidextrousness! ‘The Room I Am In’ well that’s about drugs and council flats. And there’s a tragedy that still continues. ‘I Must Be Dreaming’ Well, you know, I must be to put up with these governments. Following on from their monumental live performance at BBC Radio 6 Birthday Celebrations at Queen Elizabeth Hall on Friday March 16th which saw PiL include and baptise 2 new songs: Deeper Water and One Drop, PiL also played 2 very special shows at London’s Heaven showcasing more tracks from the new album with The Times commenting “This was and evening uncompromising art music, worthy of the total concentration of the audience.”  The track One Drop has now also received airplay from BBC Radio 6, XFM and Absolute Radio. Widely regarded as one of the most innovative and influential bands of all time PiL's music and vision earned them 5 UK Top 20 Singles and 5 UK Top 20 Albums. With a shifting line-up and unique sound John Lydon guided the band from their debut album 'First Issue' in 1978 through to 1992's 'That What Is Not',   before a 17 year hiatus.  John then resurrected PiL in 2009 playing live worldwide. Now after 20 years yet another new and unique chapter is set to unfold in the shape of new PiL material. John Lydon- After fronting the Sex Pistols, John Lydon formed Public Image Ltd in 1978.  Outside of PiL John has released several solo records and collaborations. He also brings quality TV to the masses. Lu Edmonds- Multi instrumentalist and former guitarist in The Damned Lu joined PiL in 1986 recording and playing on the album Happy? and co-writing the  album ‘9’ adding yet another dimension to the PiL sound. Bruce Smith- Former drummer in The Pop Group and The Slits became percussionist for PiL also in 1986 playing and recording on the albums Happy? and ‘9’. Seen as a drumming virtuoso, Bruce Smith brought his unique style into the fold.  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The original Cypress Hill album captures the group at their risk-taking best, mixing gangster posturing, LA street politics, Latin flavor and warped humor together under a thick cloud of weed smoke and innovative beats. Nasal-voiced rapper B-Real and his partner Sen Dog, backed by the adventurous production styles of DJ Muggs, produce classics records like “How I Could Just Kill a Man,” “Pigs,” “Stoned is the Way of the Walk” and “Hand on the Pump.” Since its release, the album has won acclaim as one of Rolling Stone's “Essential Recordings of the 90s” and “Top 100 Best Rap Albums” by The Source magazine. 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He has self-released four mixtapes since 2011 and his debut single ‘Yay’ sold over 30,000 copies – staggering figures that fully justify the hysteria surrounding Nines’ rap pedigree and which reinforce that this is no false dawn, but a golden age for UK rap music.\u003c\/p\u003e\n\n\u003cp\u003eIn addition to the mixtapes and singles, Nines is also infamous for his ‘JD Sports Shutdown’ and ‘Turkey Shutdown’ videos (the former featured on Worldstarhiphop.com), which saw the rapper taking kids from his neighbourhood to JD Sports to buy them new trainers, as well as providing Christmas turkeys to those less fortunate to the whole of his Church Road Estate.\u003c\/p\u003e\n\n\u003cp\u003eWith production from the likes of Jevon (New Gen) and Menace (Desiigner’s Panda) and featuring guest appearances from Taylor Gang’s Berner, previous collaborator Tiggs Da Author, J Hus and Akala, One Foot Out sees Nines stepping out of his comfort zone and displaying the depth of UK rap. His charismatic, laid back flow covers braggadocio on ‘High Roller’ (Came through in the Audi you’re in that Honda Accord \/ All this gold got me looking like a Oscar Award), soul searching on ‘I Wonder’ (Wonder how all these guns get in to my area \/ wonder why they care about celebs instead of Syria) and is filled with pop culture references (acting like he’s shotting all that coke \/ looking invisible in the club like he’s got on Harry Potter’s cloak), One Foot Out is a statement of intent that should promote Nines into rap’s premiere league.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003cbr\u003e\n1    Intro     \u003cbr\u003e\n2    Going In     \u003cbr\u003e\n3    Trapper Of The Year (Feat. Jay Midge)     \u003cbr\u003e\n4    Love 2 The Game (Feat. Hudson East)     \u003cbr\u003e\n5    Getting Money Now     \u003cbr\u003e\n6    These Keys (Feat. Berner)     \u003cbr\u003e\n7    Stacey Adams     \u003cbr\u003e\n8    Hoes (Feat. 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Three years since the phrase first appeared in his breakout track ‘Jiggle’, Tyron Frampton presents his incendiary debut ‘Nothing Great About Britain’.\u003c\/p\u003e\n\n\u003cp\u003eFor Ty, it’s been a long journey to this point. He recalls first rapping aged 8 - mostly to impress friends in the playground, or to win the attentions of his largely absent father - before a VHS bootleg of ‘8 Mile’ procured from the barbers fired his imagination. Even in the early days his flow stood out, that serrated slur initially dismissed as “weird” by peers and later respected for exactly the same reason. 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Tragically, his younger brother passed away, aged just one. He watched his stepfather hustle, his uncle struggle with addiction and Ty himself grappled with his own racial identity, “I didn’t fit in with a group because I weren’t black nor white”.\u003c\/p\u003e\n\n\u003cp\u003eChannelling these experiences into his debut, Ty is totally immune to self-pity. On the title track he sets about systematically dismantling the stereotypes of British culture, bating the Royals and lampooning the jingoistic bluster that has ultimately led to Brexit and a surge in nationalism. “Tea, biscuits, the roads: everything we associate with being British isn’t British,” he cries today. “What’s so great about Britain? The fact we were an empire based off of raping and pillaging and killing, and taking other people’s culture and making it our own?” And yet, in the closing bars, when Ty growls, “Hand on heart, I’m proud to be British,” he means it. “It’s the people that make Britain great,” he explains. “The whole album’s about community and coming together, because your family, your community and the bonds we have as people is all that matters.”\u003c\/p\u003e\n\n\u003cp\u003eLargely recorded in early 2018 in East London, with Kwes Darko producing, the album serves up a succession of candid snapshots of British life. Drugs, disaffection, depression and the threat of violence all loom in Ty’s visceral verses, but so too does hope, love and defiance. 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The mixtape, co-produced by Questlove and Black Thought for The Roots, is a collection of songs from the hit Broadway show covered and re-interpolated by some of today’s biggest music all-stars including Chance The Rapper, Sia, and Alicia Keys. “I really wanted the hip-hop community to embrace Hamilton because it’s a love letter to them” said Hamilton creator Lin-Manuel Miranda. “It’s funny that this [mixtape] was my first idea, and now it’s come full cycle.” \u003c\/p\u003e\n\n\u003cp\u003eWith it’s dense, fun, and inspiring lyrics, The Hamilton Mixtape is destined to break the existing boundaries between hip-hop and Broadway. 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The release of Greatest Hits denotes the commemoration of one of the most historic bodies of work in Hip-Hop.\n\n","brand":"The Notorious B.I.G","offers":[{"title":"Default Title","offer_id":45085576298781,"sku":"75678999147","price":6.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/4842\/8061\/files\/SharedImage-115812.png?v=1749599203"},{"product_id":"green-with-envy-cd","title":"Green With Envy: CD","description":"\u003cp\u003eGreen With Envy will position Tion Wayne as the most important breakthrough artist in black music culture this year following 3 weeks at #1 with Body feat. Russ Millions; a global viral moment.\u003c\/p\u003e","brand":"Tion Wayne","offers":[{"title":"Default Title","offer_id":45085580099869,"sku":"190296509827","price":6.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/4842\/8061\/files\/SharedImage-124128.png?v=1749597827"},{"product_id":"an-object-in-motion-cd","title":"An Object In Motion: CD","description":"\u003cp\u003eThe latest EP from Drab Majesty marks the start of a stirring new chapter in the band’s majestic legacy. Written during a 2021 retreat to the remote coastal Oregon town of Yachats, Deb Demure leaned into the neo-psychedelic resonance of a uniquely bowl-shaped 12-string Ovation acoustic\/electric guitar. After early morning hikes in the rain, Deb would record ambient guitar experiments the rest of the day, tapping into “flow states,” letting the sound lead the way. These sessions were then refined or recreated, and later elevated further with key collaborations by Rachel Goswell(Slowdive), Justin Meldal-Johnson(Beck, M83, Air), and Ben Greenberg (Uniform, Circular Ruin Studio). An Object In Motionis true to its title, capturing the chrysalis moment of an artist evolving, reborn and untethered, silhouetted against an open horizon.\u003c\/p\u003e\n\n\u003cp\u003e“Cape Perpetua” kicks off the collection’s divergent palette: sparkling acoustic finger-picking refracted through delay, equal parts raga and reverie. Melodies and moods congeal and dissipate, at the threshold of rustic American primitivism, brooding neo-folk, and pastoral melancholia. “The Skin And The Glove” deploys jangle to different effect –baggy, soaring, grey-skied kaleidoscopic pop in the spirit of Stone Roses, Primal Scream, and The Glove. Rachel Goswell lends her iconic free fall voice to The Cure-esque ballad, “Vanity,” infusing poetic gravity to the doomed refrain: “If the valve breaks \/ then the earth quakes \/ and history finds a way \/ to put you in your place.”\u003c\/p\u003e\n\n\u003cp\u003e“Yield To Force”, the closing track of the EP, may be the most anomalous offering of the set. A 15-minute instrumental odyssey of cyclical strings, ominous slide guitar, and simmering synthesizer, the piece sways and spirals like a long zoom into distant storm clouds. Demure finesses the guitar with a restless but regal grandeur, unfolding a panorama of peaks, shadows, and plateaus. It’s music both intuitive and prophetic, tracing the slow swing of pendulums across an endless plain. 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The box contains a 100-Page Hard Cover Book with an Introduction by David Sylvian and an essay on the samadhisound aesthetic by Adrian Shaughnessy plus 3 CD Holders featuring the work of Canadian musician and painter, Lance Austin Olsen.\u003cbr\u003e\n\u003cbr\u003e\nTracks:\u003cbr\u003e\n\u003cbr\u003e\n\u003cstrong\u003eCD ONE: Blemish – David Sylvian\u003c\/strong\u003e\u003cbr\u003e\n\u003cbr\u003e\nBlemish (13:42)\u003cbr\u003e\nThe Good Son (5:25)\u003cbr\u003e\nThe Only Daughter (5:28)\u003cbr\u003e\nThe Heart Knows Better (7:51)\u003cbr\u003e\nShe Is Not (0:45)\u003cbr\u003e\nLate Night Shopping (2:54)\u003cbr\u003e\nHow Little We Need To Be Happy (3:22)\u003cbr\u003e\nA Fire In The Forest (4:14)\u003cbr\u003e\n\u003cbr\u003e\n\u003cstrong\u003eCD TWO: The Good Son Vs. 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The set features 155 total tracks including 89 unreleased tracks \u0026amp; mixes and another 57 previously released tracks but with a fresh remix. 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Baba O’riley\u003cbr\u003e2. Bargain\u003cbr\u003e3. Love Ain’t For Keeping\u003cbr\u003e4. My Wife\u003cbr\u003e5. The Song Is Over\u003cbr\u003e6. Getting In Tune\u003cbr\u003e7. Going Mobile\u003cbr\u003e8. Behind Blue Eyes\u003cbr\u003e9. Won’t Get Fooled Again\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCD 2 - Pete Townshend's Life House Demos 1970 - 1971 – Part 1\u003c\/strong\u003e\u003cbr\u003e1. Teenage Wasteland (Demo)*\u003cbr\u003e2. Too Much (Demo) *\u003cbr\u003e3. Going Mobile (Demo)*\u003cbr\u003e4. There's A Fortune In Those Hills (Demo)*\u003cbr\u003e5. Love Ain't For Keeping (Demo)*\u003cbr\u003e6. Bargain (Demo)*\u003cbr\u003e7. Greyhound Girl (Demo)*\u003cbr\u003e8. Mary (Alternate Mix) (Demo)**\u003cbr\u003e9. Behind Blue Eyes (Demo)*\u003cbr\u003e10. Time Is Passing (Demo)*\u003cbr\u003e11. Finally, Over (Demo)**\u003cbr\u003e12. Baba O'riley (Original Demo)**\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCD 3 - Pete Townshend's Life House Demos 1970 – 1971 – Part 2\u003c\/strong\u003e\u003cbr\u003e1. Pure And Easy (Home Studio Mix) (Demo)*\u003cbr\u003e2. Getting In Tune (Alternate Mix) (Demo)**\u003cbr\u003e3. Nothing Is Everything (Let's See Action) (Demo)*\u003cbr\u003e4. Won't Get Fooled Again (Demo)*\u003cbr\u003e5. Baba O'riley (Demo)*\u003cbr\u003e6. Song Is Over (2021 Remix) (Demo)**\u003cbr\u003e7. Pure And Easy (Olympic Studios Mix) (Demo)**\u003cbr\u003e8. Mary (Original Mix) (Demo)*\u003cbr\u003e9. Baba O'riley (First Editing Demo)**\u003cbr\u003e10. Song Is Over (Original Demo)*\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCD 4 -  Record Plant, Nyc Sessions March 1971\u003c\/strong\u003e\u003cbr\u003e1. Don’t Do It (Aka Baby Don’t You Do It) [Take 2, Unedited, March 16, 1971]**\u003cbr\u003e2. Won’t Get Fooled Again [Take 13, March 16, 1971]*\u003cbr\u003e3. Behind Blue Eyes (Version 1) [Take 15, March 16, 1971]**\u003cbr\u003e4. Love Ain't For Keeping [Take 14, March 17, 1971]*\u003cbr\u003e5. The Note (Aka Pure And Easy) [Take 21, March 17, 1971]*\u003cbr\u003e6. I’m In Tune (Aka Getting In Tune) [Take 6, March 18, 1971*\u003cbr\u003e7. Behind Blue Eyes (Version 2) [Take 10, March 18, 1971}*\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCD 5 - Olympic Sound Studios, London Sessions 1970-72\u003c\/strong\u003e\u003cbr\u003e1. Pure And Easy*\u003cbr\u003e2. I Don’t Know Myself [B-Side With Unreleased Count-In]\u003cbr\u003e3. Time Is Passing [Stereo Mix]**\u003cbr\u003e4. Too Much Of Anything [Original 1971 Vocal]**\u003cbr\u003e5. Naked Eye [1971 Remake]**\u003cbr\u003e6. Bargain (Early Mix)**\u003cbr\u003e7. Love Ain't For Keeping (Unedited Mix)**\u003cbr\u003e8. My Wife (Unedited Mix)**\u003cbr\u003e9. Getting In Tune (Take 1 With Jam)**\u003cbr\u003e10. Going Mobile (Alternate Mix)**\u003cbr\u003e11. Song Is Over (Backing Track) [With Nicky Hopkins]**\u003cbr\u003e12. When I Was A Boy**\u003cbr\u003e13. Let's See Action (Unedited Mix)**\u003cbr\u003e14. Relay (Unedited Mix) [Alternate Vocal]**\u003cbr\u003e15. Put The Money Down [Remix With Original Vocal]*\u003cbr\u003e16. Join Together [Unedited Remix]**\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCD 6 - Singles \u0026amp; Sessions 1970-72\u003c\/strong\u003e\u003cbr\u003e1. The Seeker (Original Single Mix)\u003cbr\u003e2. Here For More [Original Single Mix]\u003cbr\u003e3. Heaven And Hell [New Stereo Mix]**\u003cbr\u003e4. Water [Eel Pie Sound Studio – New Unedited Mix]**\u003cbr\u003e5. I Don't Know Myself [Eel Pie Sound Studio – New Unedited Mix]**\u003cbr\u003e6. Naked Eye [Eel Pie Sound Studio – New Unedited Mix]**\u003cbr\u003e7. Postcard [Eel Pie Sound Studio – Original 1970 Mix]**\u003cbr\u003e8. Now I'm A Farmer [Eel Pie Sound Studio – New Remix]**\u003cbr\u003e9. The Seeker (Unedited Version)**\u003cbr\u003e10. Water (Ibc Version)**\u003cbr\u003e11. I Don’t Know Myself (Ibc Version)**\u003cbr\u003e12. Let's See Action (Original Single Mix)\u003cbr\u003e13. When I Was A Boy (Original Single Mix)\u003cbr\u003e14. Join Together (Original Single Mix)\u003cbr\u003e15. Relay (Original Single Mix)\u003cbr\u003e16. Waspman (Original Single Mix)\u003cbr\u003e17. Long Live Rock (Original Olympic Mix)\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCD 7 - Live At The Young Vic, London – April 26, 1971\u003c\/strong\u003e\u003cbr\u003e1. Love Ain’t For Keeping*\u003cbr\u003e2. Pure And Easy*\u003cbr\u003e3. Young Man Blues*\u003cbr\u003e4. Time Is Passing*\u003cbr\u003e5. Behind Blue Eyes*\u003cbr\u003e6. I Don’t Even Know Myself*\u003cbr\u003e7. Too Much Of Anything*\u003cbr\u003e8. Getting In Tune*\u003cbr\u003e9. Bargain*\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCD 8 - Live At The Young Vic, London – April 26, 1971\u003c\/strong\u003e\u003cbr\u003e1. Pinball Wizard**\u003cbr\u003e2. See Me, Feel Me**\u003cbr\u003e3. Baby Don’t You Do It*\u003cbr\u003e4. Water*\u003cbr\u003e5. My Generation*\u003cbr\u003e6. (I’m A) Road Runner*\u003cbr\u003e7. Naked Eye*\u003cbr\u003e8. Bony Moronie*\u003cbr\u003e9. Won’t Get Fooled Again*\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCD Nine: Live At The Civic Auditorium, San Francisco – December 12, 1971\u003c\/strong\u003e\u003cbr\u003e1. Introduction**\u003cbr\u003e2. I Can't Explain*\u003cbr\u003e3. Substitute*\u003cbr\u003e4. Summertime Blues**\u003cbr\u003e5. My Wife*\u003cbr\u003e6. Baba O'riley**\u003cbr\u003e7. Behind Blue Eyes*\u003cbr\u003e8. Bargain*\u003cbr\u003e9. Won't Get Fooled Again**\u003cbr\u003e11. Baby Don't You Do It*\u003cbr\u003e12. Magic Bus**\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCD 10 - Live At The Civic Auditorium, San Francisco – December 12, 1971\u003c\/strong\u003e\u003cbr\u003e1. Introduction To Tommy**\u003cbr\u003e2. Overture**\u003cbr\u003e3. Amazing Journey**\u003cbr\u003e4. Sparks**\u003cbr\u003e5. Pinball Wizard**\u003cbr\u003e6. See Me Feel Me**\u003cbr\u003e7. My Generation**\u003cbr\u003e8. Naked Eye*\u003cbr\u003e9. Going Down*\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eBlu-Ray Audio: Steven Wilson Atmos Mix (48khz 24-Bit)** Steven Wilson 5.1 Mix (48khz 24-Bit)** Steven Wilson Stereo Mix (96khz 24-Bit)* Original 1971 Stereo Mix (96khz 24-Bit)\u003c\/strong\u003e\u003cbr\u003e1. Baba O’riley\u003cbr\u003e2. Bargain\u003cbr\u003e3. Love Ain’t For Keeping\u003cbr\u003e4. My Wife\u003cbr\u003e5. The Song Is Over\u003cbr\u003e6. Getting In Tune\u003cbr\u003e7. Going Mobile\u003cbr\u003e8. Behind Blue Eyes\u003cbr\u003e9. Won’t Get Fooled Again\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eBonus Tracks: Steven Wilson Atmos Mix (48kHz 24-bit) Steven Wilson 5.1 Mix (48kHz 24-bit)\u003cbr\u003e\u003c\/strong\u003e1. The Seeker (Unedited Version)**\u003cbr\u003e2. Here For More*\u003cbr\u003e3. Now I'm A Farmer**\u003cbr\u003e4. I Don't Know Myself (Eel Pie Sound Version)**\u003cbr\u003e5. Water (Ibc Version)**\u003cbr\u003e6. Naked Eye (Olympic Sound Version)**\u003cbr\u003e7. Pure And Easy**\u003cbr\u003e8. Too Much Of Anything**\u003cbr\u003e9. Let's See Action**\u003cbr\u003e10. When I Was A Boy**\u003cbr\u003e11. Join Together (Unedited Version)**\u003cbr\u003e12. Put The Money Down**\u003cbr\u003e13. Relay (Unedited Version)**\u003cbr\u003e14. 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Available in its original configuration as 1LP, an expanded 2LP set, and a 3CD set (whose tracklisting the digital version mirrors), \u003cem\u003eTo The Faithful Departed \u003c\/em\u003edeluxe editions contain an abundance of bonus tracks and material. The 2LP and 3CD configurations include three previously unreleased album demos recorded with Tim Palmer in Paris. The sleeve notes by \u003cstrong\u003eEoin Devereux\u003c\/strong\u003e includes contributions from the remaining band members as well as archived material which includes interviews with Dolores.\u003c\/p\u003e\u003cp\u003e\"When we were on tour for our second album \u003cem\u003eNo Need to Argue\u003c\/em\u003e, we began discussions about recording the next album,” recalls Lawler about the record’s origins. “We had spoken to Island Records about the possibility of trying a new producer and they suggested Tim Palmer who had worked with Tears for Fears. So we decided to demo some new songs with him. We had a few days off in Paris and we recorded 'When You're Gone', 'Free to Decide' and 'I Just Shot John Lennon.' Tim was a lovely guy and the recordings sounded great but we felt he was a little similar in style to Steven Street [who had produced the band’s previous two albums] and we wanted to try something different. We had been touring a lot and wanted more of a live sound.”\u003c\/p\u003e\u003cp\u003eSwitching gears, they chose Bruce Fairbairn who was known for working with hard rock bands such as Aerosmith, AC\/DC and Van Halen. “When the tour finished, we took a short break and met with Bruce and his genius engineer Mike Plotnikoff in Windmill Lane studio in Dublin,” he continues. “It was a very different experience for both ourselves and Bruce, he was used to working with heavy rock bands and we were used to working with Steven [Street], but it worked out really well. 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This 7 x CD + Blu-ray features 47 previously unreleased tracks and over two hours of live filmed concert footage in high definition.\u003c\/p\u003e\n\n\u003cp\u003e \u003c\/p\u003e\n\n\u003cp\u003eFollowing the successful release of the 1999 Super Deluxe Edition (2019), and Sign O’ The Times Super Deluxe Edition (2020), the Diamonds And Pearls Super Deluxe Edition represents the third deep dive into Prince’s vault. It includes a total of 75 audio tracks across 7x CDs and 12x 180g vinyl records.\u003c\/p\u003e\n\n\u003cp\u003e \u003c\/p\u003e\n\n\u003cp\u003eThe set offers a newly remastered version of the album, plus 15 of the incredible remixes and B-sides from the era, including the never commercially released “Gett Off (Damn Near 10 Min.)” mix. The Super Deluxe Edition also features 33 previously unheard studio gems from Prince’s Illustrious vault, ranging from alternate versions of album tracks to numbers Prince gave away to other artists, and songs recorded while on the road in 1990.\u003c\/p\u003e\n\n\u003cp\u003e \u003c\/p\u003e\n\n\u003cp\u003ePrince \u0026amp; The NPG previewed the Diamonds And Pearls Tour at Prince’s Minneapolis club, Glam Slam, on January 11, 1992. The sweaty, sold-out, last-minute show captures the sheer joy and sense of endless possibility that came to define this era. This previously unreleased live concert performance has been mixed from the 24-track master and rounds out the audio content of this 7CD set.\u003c\/p\u003e\n\n\u003cp\u003eThis same previously unreleased concert is also presented in stunning 2K video on the Blu-ray disc that accompanies both Super Deluxe Edition formats, in Stereo, 5.1 Dolby True HD, and Dolby ATMOS audio formats. The Blu-ray also features Prince \u0026amp; The New Power Generation’s performance at The Special Olympics at the Metrodome in Minneapolis in July 1991 (also in Stereo, 5.1, and ATMOS), as well as a previously unseen soundcheck.\u003c\/p\u003e\n\n\u003cp\u003e \u003c\/p\u003e\n\n\u003cp\u003eThe Blu-ray is completed by the long out of print Diamonds And Pearls Video Collection, originally released on VHS and LaserDisc in 1993. The 120-page hardback book which accompanies the SDE set features unseen photos by Randee St. Nicholas, and essays by: author \u0026amp; broadcaster Andrea Swensson; Archivist and Senior Researcher for the Prince Estate Duane Tudahl; British music critic and Prince expert Jason Draper; De Angela L. Duff, an Industry Professor at NYU Tandon School of Engineering in Brooklyn; Social Media Personality KaNisa Williams; and an introduction from Public Enemy founder, Chuck D.\u003c\/p\u003e\n\n\u003cp\u003eIn addition, there will be a brand-new Dolby ATMOS mix of Diamonds And Pearls. This marks the very first time a Prince studio album has been mixed in ATMOS, and it will feature on an audiophile Blu-ray, featuring the album in Dolby ATMOS and HD Stereo (24bit \/ 44.1kHz) formats.\u003c\/p\u003e\n\n\u003cp\u003e \u003c\/p\u003e\n\n\u003cp\u003eDiamonds And Pearls is the thirteenth studio album by Prince, and was the first with his new backing band, The New Power Generation. Featuring six massive international singles, including the hits “Gett Off”, “Cream”, and the iconic title track, the album was a worldwide smash reaching multi-platinum status in the USA and the UK, where it remains his best-selling album.\u003c\/p\u003e\n\n\u003cp\u003eTracklisting\u003c\/p\u003e\n\n\u003ctable border=\"0\" cellpadding=\"0\" cellspacing=\"0\"\u003e\n\t\u003ctbody\u003e\n\t\t\u003ctr\u003e\n\t\t\t\u003ctd\u003e\n\t\t\t\u003cp\u003e \u003c\/p\u003e\n\n\t\t\t\u003cp\u003eCD1: DIAMONDS AND PEARLS (REMASTERED)\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e1.       Thunder\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e2.       Daddy Pop\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e3.       Diamonds And Pearls\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e4.       Cream\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e5.       Strollin’\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e6.       Willing And Able\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e7.       Gett Off\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e8.       Walk Don’t Walk\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e9.       Jughead\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e10.     Money Don’t Matter 2 Night\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e11.     Push\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e12.     Insatiable\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e13.     Live 4 Love\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e \u003c\/p\u003e\n\n\t\t\t\u003cp\u003eCD2: SINGLE MIXES \u0026amp; EDITS (REMASTERED)\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e1.       Gett Off (Damn Near 10 Min.)\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e2.       Gett Off (Houstyle)\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e3.       Violet The Organ Grinder\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e4.       Gangster Glam\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e5.       Horny Pony\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e6.       Cream (N.P.G. Mix)\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e7.       Things Have Gotta Change (Tony M Rap)\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e8.       Do Your Dance (KC’s Remix)\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e9.       Insatiable (Edit)\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e10.     Diamonds And Pearls (Edit)\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e11.     Money Don’t Matter 2 Night (Edit)\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e12.     Call The Law\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e13.     Willing And Able (Edit)\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e14.     Willing And Able (Video Version)\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e15.     Thunder (DJ Fade)\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e \u003c\/p\u003e\n\n\t\t\t\u003cp\u003eCD3: VAULT I\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e1.       Schoolyard\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e2.       My Tender Heart\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e3.       Pain\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e4.       Streetwalker\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e5.       Lauriann\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e6.       Darkside\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e7.       Insatiable (Early Mix - Full Version)\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e8.       Glam Slam ’91\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e9.       Live 4 Love (Early Version)\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e10.     Cream (Take 2)\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e11.     Skip To My You My Darling\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e12.     Diamonds And Pearls (Long Version)\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e \u003c\/p\u003e\n\n\t\t\t\u003cp\u003eAll tracks previously unreleased\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e \u003c\/p\u003e\n\n\t\t\t\u003cp\u003eCD4: VAULT II\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e1.       Daddy Pop (12\" Version)\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e2.       Martika’s Kitchen\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e3.       Spirit\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e4.       Open Book\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e5.       Work That Fat\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e6.       Horny Pony (Version 2)\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e7.       Something Funky (This House Comes) (Band Version)\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e8.       Hold Me\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e9.       Blood On The Sheets\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e10.     The Last Dance (Bang Pow Zoom And The Whole Nine)\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e11.     Don’t Say U Love Me\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e \u003c\/p\u003e\n\n\t\t\t\u003cp\u003eAll tracks previously unreleased\u003c\/p\u003e\n\t\t\t\u003c\/td\u003e\n\t\t\t\u003ctd\u003e\n\t\t\t\u003cp\u003e \u003c\/p\u003e\n\n\t\t\t\u003cp\u003eCD5: VAULT III\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e1.       Get Blue\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e2.       Tip O’ My Tongue\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e3.       The Voice\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e4.       Trouble\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e5.       Alice Through The Looking Glass\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e6.       Standing At The Altar\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e7.       Hey U\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e8.       Letter 4 Miles\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e9.       I Pledge Allegiance To Your Love\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e10.     Thunder Ballet\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e \u003c\/p\u003e\n\n\t\t\t\u003cp\u003eAll tracks previously unreleased\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e \u003c\/p\u003e\n\n\t\t\t\u003cp\u003eCD6: LIVE AT GLAM SLAM, 1992 (part 1)\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e \u003c\/p\u003e\n\n\t\t\t\u003cp\u003e1.       Thunder\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e2.       Daddy Pop\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e3.       Diamonds And Pearls\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e4.       Willing And Able\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e5.       Jughead\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e6.       The Sacrifice Of Victor\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e7.       Nothing Compares 2 U\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e8.       Thieves In The Temple\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e9.       Sexy M.F.\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e \u003c\/p\u003e\n\n\t\t\t\u003cp\u003eCD7: LIVE AT GLAM SLAM, 1992 (part 2)\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e1.       Insatiable\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e2.       Cream\/Well Done\/I Want U\/In The Socket (Medley)\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e3.       1999\/Baby I’m A Star\/Push (Medley)\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e4.       Gett Off\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e5.       Gett Off (Houstyle)\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e \u003c\/p\u003e\n\n\t\t\t\u003cp\u003eAll tracks previously unreleased\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e \u003c\/p\u003e\n\n\t\t\t\u003cp\u003e \u003c\/p\u003e\n\n\t\t\t\u003cp\u003eBLU-RAY\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e \u003c\/p\u003e\n\n\t\t\t\u003cp\u003eLIVE AT GLAM SLAM, 1992\u003c\/p\u003e\n\n\t\t\t\u003cp\u003eMINNEAPOLIS, MINNESOTA, JANUARY 11, 1992\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e \u003c\/p\u003e\n\n\t\t\t\u003cp\u003e1.       Thunder\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e2.       Daddy Pop\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e3.       Diamonds And Pearls\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e4.       Willing And Able\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e5.       Jughead\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e6.       The Sacrifice Of Victor\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e7.       Nothing Compares 2 U\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e8.       Thieves In The Temple\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e9.       Sexy M.F.\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e10.     Insatiable\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e11.     Cream\/Well Done\/I Want U\/In The Socket (Medley)\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e12.     1999\/Baby I’m A Star\/Push (Medley)\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e13.     Gett Off\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e14.     Gett Off (Houstyle)\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e \u003c\/p\u003e\n\n\t\t\t\u003cp\u003eAll tracks previously unreleased\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e \u003c\/p\u003e\n\n\t\t\t\u003cp\u003e \u003c\/p\u003e\n\n\t\t\t\u003cp\u003eSPECIAL OLYMPICS, METRODOME, MINNEAPOLIS, MINNESOTA, JULY 1991\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e \u003c\/p\u003e\n\n\t\t\t\u003cp\u003eSOUNDCHECK – JULY 19, 1991:\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e1.       Let’s Go Crazy\/Baby I’m A Star\/Push (Medley)\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e \u003c\/p\u003e\n\n\t\t\t\u003cp\u003eAll tracks previously unreleased\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e \u003c\/p\u003e\n\n\t\t\t\u003cp\u003e \u003c\/p\u003e\n\n\t\t\t\u003cp\u003eSHOW – JULY 20, 1991:\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e1.       Diamonds And Pearls\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e2.       Let’s Go Crazy\/Baby I’m A Star\/Push (Medley)\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e \u003c\/p\u003e\n\n\t\t\t\u003cp\u003eAll tracks previously unreleased\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e \u003c\/p\u003e\n\n\t\t\t\u003cp\u003eDIAMONDS AND PEARLS VIDEO COLLECTION\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e \u003c\/p\u003e\n\n\t\t\t\u003cp\u003e1.       Introduction\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e2.       Thunder (Live)\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e3.       Gett Off\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e4.       Cream\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e5.       Diamonds And Pearls\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e6.       Dr. Feelgood (Live)\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e7.       Call The Law\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e8.       Willing And Able\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e9.       Jughead (Live)\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e10.     Insatiable\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e11.     Strollin’\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e12.     Money Don’t Matter 2 Night     \u003c\/p\u003e\n\n\t\t\t\u003cp\u003e13.     Live 4 Love (Live)\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e \u003c\/p\u003e\n\n\t\t\t\u003cp\u003eBlu-ray is presented in: Stereo, 5.1 Dolby True HD (Special Olympics show and Glam Slam only) and Dolby ATMOS (Special Olympics show and Glam Slam only).\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e \u003c\/p\u003e\n\n\t\t\t\u003cp\u003e* N.B. video content is exclusive to the physical Blu-ray and will not appear on digital download or streaming versions of the Super Deluxe Edition set.\u003c\/p\u003e\n\n\t\t\t\u003cp\u003e \u003c\/p\u003e\n\n\t\t\t\u003cp\u003e \u003c\/p\u003e\n\n\t\t\t\u003cp\u003e \u003c\/p\u003e\n\t\t\t\u003c\/td\u003e\n\t\t\u003c\/tr\u003e\n\t\u003c\/tbody\u003e\n\u003c\/table\u003e\n\n\u003cp\u003e \u003c\/p\u003e\n","brand":"Prince \u0026 The New Power Generation","offers":[{"title":"Default Title","offer_id":46387721601309,"sku":"603497843756","price":171.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/4842\/8061\/files\/D_26P_SDE_7CD.jpg?v=1749787941"},{"product_id":"maxinquaye-reincarnated-super-deluxe-2cd","title":"Maxinquaye (Reincarnated): Super Deluxe 2CD","description":"\u003cp\u003eThe super deluxe reissue of Tricky’s ‘Maxinquaye’, his debut album from 1995. 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Originally a loose conglomerate with various members, Power added guitarist Liam 'Skin' Tyson and drummer Keith O' Neill, and by 1994 Cast were signed to Polydor.\u003cbr\u003e\n\u003cbr\u003e\nLed by singles Finetime and Alright, Cast's blend of ultra- melodic Merseybeat Britpop proved that they were the right band at the right time. All Change became a runaway success, selling over a million and becoming the fastest-selling debut album in Polydor's history, bolstered by further singles Sandstorm and Walkaway. The catchy, upbeat album closed with the eight- minute epic Two Of A Kind, showing that the band had sufficient skills to take on any Britpop heavyweight.\u003cbr\u003e\n\u003cbr\u003e\n\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003cbr\u003e\n1. Alright\u003cbr\u003e\n2. Promised Land \u003cbr\u003e\n3. Sandstorm \u003cbr\u003e\n4.  Mankind \u003cbr\u003e\n5. Tell It Like It Is \u003cbr\u003e\n6.  Four Walls \u003cbr\u003e\n7. Finetime \u003cbr\u003e\n8. Back Of My Mind \u003cbr\u003e\n9. Walkaway \u003cbr\u003e\n10. Reflections \u003cbr\u003e\n11. History\u003cbr\u003e\n12. Two Of A Kind\u003c\/p\u003e\n","brand":"Cast","offers":[{"title":"Default Title","offer_id":46722995454237,"sku":"UMCLP59","price":41.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/4842\/8061\/files\/cast_all_change.png?v=1746391563"},{"product_id":"atomic-city-limited-edition-cd-single","title":"Atomic City: Limited Edition CD Single","description":"\u003cp\u003e‘Atomic City’, the brand new track from U2, is produced by Jacknife Lee and Steve Lillywhite and comes ahead of the band’s upcoming run of dates at Sphere in Las Vegas. This Limited Edition Photoluminescent Transparent 7’’ Vinyl, includes the original song, alongside an etching on the B-Side. 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The boxed features newly remastered versions of every Camel album and single issued between 1973 and 1984,  but also includes new stereo and 5.1 Surround Sound versions of the albums “Camel”, “Mirage”, “Music Inspired by The Snow Goose”, “Moonmadness” and “Nude”, as well as new mixes of three concerts; The Marquee Club, London 1974, Hammersmith Odeon 1976 and Hammersmith Odeon 1977 The set also features previously unreleased out-takes from album recording sessions and BBC Radio “In Concert” appearances from 1974, 1975, 1977 and 1981. Additionally included is a Blu ray video disc of promotional videos and BBC TV appearances on “The Old Grey Whistle Test” and “Sight and Sound In Concert” and a Blu ray video disc of the 1984 concert film “Pressure Points”\u003c\/p\u003e\u003cp\u003eThe boxed set includes a lavishly illustrated book with essay and a poster.\u003c\/p\u003e\u003col\u003e\n\u003cli\u003eSlow Yourself Down\u003c\/li\u003e\n\u003cli\u003eMystic Queen\u003c\/li\u003e\n\u003cli\u003eSix Ate\u003c\/li\u003e\n\u003cli\u003eSeperation\u003c\/li\u003e\n\u003cli\u003eNever Let Go\u003c\/li\u003e\n\u003cli\u003eCuriosity\u003c\/li\u003e\n\u003cli\u003eArubaluba\u003c\/li\u003e\n\u003cli\u003eSarah (previously unreleased) - Bonus track\u003c\/li\u003e\n\u003cli\u003eNever Let Go (single version) - Bonus track\u003c\/li\u003e\n\u003cli\u003eHomage to the God of Light (live) (from \"Greasy Truckers - Live at Dingwalls Dance Hall\") - Bonus track\u003c\/li\u003e\n\u003c\/ol\u003e\u003col\u003e\n\u003cli\u003eFreefall\u003c\/li\u003e\n\u003cli\u003eSupertwister\u003c\/li\u003e\n\u003cli\u003eNimrodel \/ The Procession \/ The White Rider\u003c\/li\u003e\n\u003cli\u003eEarthrise\u003c\/li\u003e\n\u003cli\u003eLady Fantasy\u003c\/li\u003e\n\u003cli\u003eEarthrise (Bonus tracks: Demo session - 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6th June 1974) - Bonus track\u003c\/li\u003e\n\u003cli\u003eArubaluba (BBC Radio One \"In Concert\" - 6th June 1974) - Bonus track\u003c\/li\u003e\n\u003c\/ol\u003e\u003col\u003e\n\u003cli\u003eIntroduction\u003c\/li\u003e\n\u003cli\u003eEarthrise\u003c\/li\u003e\n\u003cli\u003eNimrodel\u003c\/li\u003e\n\u003cli\u003eSix Ate\u003c\/li\u003e\n\u003cli\u003eSupertwister\u003c\/li\u003e\n\u003cli\u003eMystic Queen\u003c\/li\u003e\n\u003cli\u003eArubaluba.\u003c\/li\u003e\n\u003c\/ol\u003e\u003col\u003e\n\u003cli\u003eRhayader Goes to Town\u003c\/li\u003e\n\u003cli\u003eThe Snow Goose \/ Freefall\u003c\/li\u003e\n\u003cli\u003eLady Fantasy\u003c\/li\u003e\n\u003cli\u003eHomage to the God of Light\u003c\/li\u003e\n\u003c\/ol\u003e\u003col\u003e\n\u003cli\u003eThe Great Marsh\u003c\/li\u003e\n\u003cli\u003eRhayder\u003c\/li\u003e\n\u003cli\u003eRhayder Goes to Town\u003c\/li\u003e\n\u003cli\u003eSanctuary\u003c\/li\u003e\n\u003cli\u003eFritha\u003c\/li\u003e\n\u003cli\u003eThe Snow Goose\u003c\/li\u003e\n\u003cli\u003eFriendship\u003c\/li\u003e\n\u003cli\u003eMigration\u003c\/li\u003e\n\u003cli\u003eRhayder Alone\u003c\/li\u003e\n\u003cli\u003eFlight of the Snow Goose\u003c\/li\u003e\n\u003cli\u003ePreparation\u003c\/li\u003e\n\u003cli\u003eDunkirk\u003c\/li\u003e\n\u003cli\u003eEpitaph\u003c\/li\u003e\n\u003cli\u003eFritha Alone\u003c\/li\u003e\n\u003cli\u003eLa Princesse Perdue\u003c\/li\u003e\n\u003cli\u003eThe Great Marsh\u003c\/li\u003e\n\u003cli\u003eFlight of the Snow Goose (single version) - Bonus track\u003c\/li\u003e\n\u003cli\u003eRhayder (single version) - Bonus track\u003c\/li\u003e\n\u003c\/ol\u003e\u003col\u003e\n\u003cli\u003eRiverman\u003c\/li\u003e\n\u003cli\u003eRhayder Goes to Town (BBC Radio One “In Concert” – 22nd April 1975)\u003c\/li\u003e\n\u003cli\u003eSanctuary (BBC Radio One “In Concert” – 22nd April 1975)\u003c\/li\u003e\n\u003cli\u003eThe Snow Goose (BBC Radio One “In Concert” – 22nd April 1975)\u003c\/li\u003e\n\u003cli\u003eMigration (BBC Radio One “In Concert” – 22nd April 1975)\u003c\/li\u003e\n\u003cli\u003eRhayder Alone (BBC Radio One “In Concert” – 22nd April 1975)\u003c\/li\u003e\n\u003cli\u003eFlight of the Snow Goose (BBC Radio One “In Concert” – 22nd April 1975)\u003c\/li\u003e\n\u003cli\u003ePreparation (BBC Radio One “In Concert” – 22nd April 1975)\u003c\/li\u003e\n\u003cli\u003eDunkirk (BBC Radio One “In Concert” – 22nd April 1975)\u003c\/li\u003e\n\u003cli\u003eEpitaph (BBC Radio One “In Concert” – 22nd April 1975)\u003c\/li\u003e\n\u003cli\u003eLa Princesse Perdue (BBC Radio One “In Concert” – 22nd April 1975)\u003c\/li\u003e\n\u003cli\u003eThe Great Marsh (BBC Radio One “In Concert” – 22nd April 1975)\u003c\/li\u003e\n\u003cli\u003eSelections from \"The Snow Goose\" (BBC TV Old Grey Whistle Test – 21st June 1975) a. 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Bonus track\u003c\/li\u003e\n\u003cli\u003eChord Change (demo) (previously unreleased) - Bonus track\u003c\/li\u003e\n\u003cli\u003eLunar Sea (demo) (previously unreleased) - Bonus track\u003c\/li\u003e\n\u003cli\u003eAnother Night (single version) - Bonus track\u003c\/li\u003e\n\u003c\/ol\u003e\u003col\u003e\n\u003cli\u003eAristillus\u003c\/li\u003e\n\u003cli\u003eSong Within a Song\u003c\/li\u003e\n\u003cli\u003eThe Great Marsh\u003c\/li\u003e\n\u003cli\u003eRhayader\u003c\/li\u003e\n\u003cli\u003eRhayader Goes to Town\u003c\/li\u003e\n\u003cli\u003eAir Born\u003c\/li\u003e\n\u003cli\u003eChord Change\u003c\/li\u003e\n\u003cli\u003eThe White Rider\u003c\/li\u003e\n\u003c\/ol\u003e\u003col\u003e\n\u003cli\u003eLunar Sea\u003c\/li\u003e\n\u003cli\u003ePreparation\u003c\/li\u003e\n\u003cli\u003eDunkirk\u003c\/li\u003e\n\u003cli\u003eAnother Night\u003c\/li\u003e\n\u003cli\u003eLady Fantasy\u003c\/li\u003e\n\u003c\/ol\u003e\u003col\u003e\n\u003cli\u003eFirst Light\u003c\/li\u003e\n\u003cli\u003eMetrognome\u003c\/li\u003e\n\u003cli\u003eTell Me\u003c\/li\u003e\n\u003cli\u003eHighways of the Sun\u003c\/li\u003e\n\u003cli\u003eUnevensong\u003c\/li\u003e\n\u003cli\u003eOne of These Days I'll Get An Early Night\u003c\/li\u003e\n\u003cli\u003eElke\u003c\/li\u003e\n\u003cli\u003eSkylines\u003c\/li\u003e\n\u003cli\u003eRain Dances\u003c\/li\u003e\n\u003cli\u003eHighways of the Sun (single version) - 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Golders Green Hippodrome - 29th September 1977)\u003c\/li\u003e\n\u003cli\u003eRhayader \/ Rhayader Goes to Town (BBC In Concert - Golders Green Hippodrome - 29th September 1977)\u003c\/li\u003e\n\u003cli\u003eSkylines (BBC In Concert - Golders Green Hippodrome - 29th September 1977)\u003c\/li\u003e\n\u003cli\u003eHighways of the Sun (BBC In Concert - Golders Green Hippodrome - 29th September 1977)\u003c\/li\u003e\n\u003cli\u003eLunar Sea (BBC In Concert - Golders Green Hippodrome - 29th September 1977)\u003c\/li\u003e\n\u003cli\u003eRain Dances (BBC In Concert - Golders Green Hippodrome - 29th September 1977)\u003c\/li\u003e\n\u003cli\u003eNever Let Go (BBC In Concert - Golders Green Hippodrome - 29th September 1977)\u003c\/li\u003e\n\u003cli\u003eOne of These Days I'll Get an Early Night (BBC In Concert - Golders Green Hippodrome - 29th September 1977)\u003c\/li\u003e\n\u003c\/ol\u003e\u003col\u003e\n\u003cli\u003eFirst Light\u003c\/li\u003e\n\u003cli\u003eMetrognome\u003c\/li\u003e\n\u003cli\u003eUnevensong\u003c\/li\u003e\n\u003cli\u003eRhayader\u003c\/li\u003e\n\u003cli\u003eRhayader Goes to Town\u003c\/li\u003e\n\u003cli\u003ePreparation\u003c\/li\u003e\n\u003cli\u003eDunkirk\u003c\/li\u003e\n\u003cli\u003eSanctuary\u003c\/li\u003e\n\u003cli\u003eThe Snow Goose\u003c\/li\u003e\n\u003c\/ol\u003e\u003col\u003e\n\u003cli\u003eTell Me\u003c\/li\u003e\n\u003cli\u003eSong Within a Song\u003c\/li\u003e\n\u003cli\u003eSkylines\u003c\/li\u003e\n\u003cli\u003eHighway to the Sun\u003c\/li\u003e\n\u003cli\u003eLunar Sea\u003c\/li\u003e\n\u003cli\u003eRain Dances\u003c\/li\u003e\n\u003cli\u003eOne of These Days I'll Get an Early Night\u003c\/li\u003e\n\u003c\/ol\u003e\u003col\u003e\n\u003cli\u003eBreathless\u003c\/li\u003e\n\u003cli\u003eEchoes\u003c\/li\u003e\n\u003cli\u003eWing and a Prayer\u003c\/li\u003e\n\u003cli\u003eDown on the Farm\u003c\/li\u003e\n\u003cli\u003eStarlight Ride\u003c\/li\u003e\n\u003cli\u003eSummer Lightning\u003c\/li\u003e\n\u003cli\u003eYou Make Me Smile\u003c\/li\u003e\n\u003cli\u003eThe Sleeper\u003c\/li\u003e\n\u003cli\u003eRainbow's End\u003c\/li\u003e\n\u003cli\u003eRainbow's End (single version) - Bonus track\u003c\/li\u003e\n\u003c\/ol\u003e\u003col\u003e\n\u003cli\u003eWait\u003c\/li\u003e\n\u003cli\u003eYour Love is Stranger Than Mine\u003c\/li\u003e\n\u003cli\u003eEye of the Storm\u003c\/li\u003e\n\u003cli\u003eWho We Are\u003c\/li\u003e\n\u003cli\u003eSurvival\u003c\/li\u003e\n\u003cli\u003eHymn to Her\u003c\/li\u003e\n\u003cli\u003eNeon Magic\u003c\/li\u003e\n\u003cli\u003eRemote Romance\u003c\/li\u003e\n\u003cli\u003eIce\u003c\/li\u003e\n\u003cli\u003eRemote Romance (single version) - Bonus track\u003c\/li\u003e\n\u003c\/ol\u003e\u003col\u003e\n\u003cli\u003eCity Life\u003c\/li\u003e\n\u003cli\u003eNude\u003c\/li\u003e\n\u003cli\u003eDrafted\u003c\/li\u003e\n\u003cli\u003eDocks\u003c\/li\u003e\n\u003cli\u003eBeached\u003c\/li\u003e\n\u003cli\u003eLandscapes\u003c\/li\u003e\n\u003cli\u003eChanging Places\u003c\/li\u003e\n\u003cli\u003ePomp and Circumstance\u003c\/li\u003e\n\u003cli\u003ePlease Come Home\u003c\/li\u003e\n\u003cli\u003eReflections\u003c\/li\u003e\n\u003cli\u003eCaptured\u003c\/li\u003e\n\u003cli\u003eThe Homecoming\u003c\/li\u003e\n\u003cli\u003eLies\u003c\/li\u003e\n\u003cli\u003eThe Birthday Cake (The Last Farewell)\u003c\/li\u003e\n\u003cli\u003eNude's Return (The Last Farewell)\u003c\/li\u003e\n\u003cli\u003eCaptured (first version) (previously unreleased) - Bonus track\u003c\/li\u003e\n\u003c\/ol\u003e\u003col\u003e\n\u003cli\u003eNever Let Go\u003c\/li\u003e\n\u003cli\u003eSong Within a Song\u003c\/li\u003e\n\u003cli\u003eLunar Sea\u003c\/li\u003e\n\u003cli\u003eSummer Lightning\u003c\/li\u003e\n\u003cli\u003eIce\u003c\/li\u003e\n\u003cli\u003eCity Life\u003c\/li\u003e\n\u003cli\u003eDrafted\u003c\/li\u003e\n\u003cli\u003eDocks\u003c\/li\u003e\n\u003cli\u003eBeached\u003c\/li\u003e\n\u003cli\u003eLandscapes\u003c\/li\u003e\n\u003cli\u003eChanging Places\u003c\/li\u003e\n\u003cli\u003eReflections\u003c\/li\u003e\n\u003cli\u003eCaptured\u003c\/li\u003e\n\u003cli\u003eThe Birthday Cake (The Last Farewell)\u003c\/li\u003e\n\u003cli\u003eNude's Return (The Last Farewell)\u003c\/li\u003e\n\u003c\/ol\u003e\u003col\u003e\n\u003cli\u003eNo Easy Answer\u003c\/li\u003e\n\u003cli\u003eYou Are the One\u003c\/li\u003e\n\u003cli\u003eHeroes\u003c\/li\u003e\n\u003cli\u003eSelva\u003c\/li\u003e\n\u003cli\u003eLullabye\u003c\/li\u003e\n\u003cli\u003eSasquatch\u003c\/li\u003e\n\u003cli\u003eManic\u003c\/li\u003e\n\u003cli\u003eCamelogue\u003c\/li\u003e\n\u003cli\u003eToday's Goodbye\u003c\/li\u003e\n\u003cli\u003eA Heart's Desire\u003c\/li\u003e\n\u003cli\u003eEnd Piece\u003c\/li\u003e\n\u003cli\u003eYou Are the One (promotional 12-inch single version) - Bonus track\u003c\/li\u003e\n\u003c\/ol\u003e\u003col\u003e\n\u003cli\u003ePressure Points\u003c\/li\u003e\n\u003cli\u003eRefugee\u003c\/li\u003e\n\u003cli\u003eVopos\u003c\/li\u003e\n\u003cli\u003eCloak and Dagger Man\u003c\/li\u003e\n\u003cli\u003eStationary Traveller\u003c\/li\u003e\n\u003cli\u003eWest Berlin\u003c\/li\u003e\n\u003cli\u003eFingertips\u003c\/li\u003e\n\u003cli\u003eMissing\u003c\/li\u003e\n\u003cli\u003eAfter Words\u003c\/li\u003e\n\u003cli\u003eLong Goodbyes\u003c\/li\u003e\n\u003cli\u003eIn the Arms of Waltzing Fraulines - Bonus track\u003c\/li\u003e\n\u003cli\u003ePressure Points (12-inch single extended version) - Bonus track\u003c\/li\u003e\n\u003c\/ol\u003e\u003col\u003e\n\u003cli\u003ePressure Points\u003c\/li\u003e\n\u003cli\u003eDrafted\u003c\/li\u003e\n\u003cli\u003eCaptured\u003c\/li\u003e\n\u003cli\u003eLies\u003c\/li\u003e\n\u003cli\u003eRefugee\u003c\/li\u003e\n\u003cli\u003eVopos\u003c\/li\u003e\n\u003cli\u003eStationary Traveller\u003c\/li\u003e\n\u003cli\u003eWest Berlin\u003c\/li\u003e\n\u003cli\u003eFingertips\u003c\/li\u003e\n\u003c\/ol\u003e\u003col\u003e\n\u003cli\u003eSasquatch\u003c\/li\u003e\n\u003cli\u003eWait\u003c\/li\u003e\n\u003cli\u003eCloak and Dagger Man\u003c\/li\u003e\n\u003cli\u003eLong Goodbyes\u003c\/li\u003e\n\u003cli\u003eRhayader\u003c\/li\u003e\n\u003cli\u003eRhayader Goes to Town\u003c\/li\u003e\n\u003cli\u003eLady Fantasy\u003c\/li\u003e\n\u003c\/ol\u003e\u003col\u003e\n\u003cli\u003eSlow Yourself Down\u003c\/li\u003e\n\u003cli\u003eMystic Queen\u003c\/li\u003e\n\u003cli\u003eSix Ate\u003c\/li\u003e\n\u003cli\u003eSeperation\u003c\/li\u003e\n\u003cli\u003eNever Let Go\u003c\/li\u003e\n\u003cli\u003eCuriosity\u003c\/li\u003e\n\u003cli\u003eArubaluba\u003c\/li\u003e\n\u003cli\u003eFreefall\u003c\/li\u003e\n\u003cli\u003eSupertwister\u003c\/li\u003e\n\u003cli\u003eNimrodel \/ The Procession \/ The White Rider\u003c\/li\u003e\n\u003cli\u003eEarthrise\u003c\/li\u003e\n\u003cli\u003eLady Fantasy\u003c\/li\u003e\n\u003c\/ol\u003e\u003col\u003e\n\u003cli\u003eThe Great Marsh\u003c\/li\u003e\n\u003cli\u003eRhayder\u003c\/li\u003e\n\u003cli\u003eRhayder Goes to Town\u003c\/li\u003e\n\u003cli\u003eSanctuary\u003c\/li\u003e\n\u003cli\u003eFritha\u003c\/li\u003e\n\u003cli\u003eThe Snow Goose\u003c\/li\u003e\n\u003cli\u003eFriendship\u003c\/li\u003e\n\u003cli\u003eMigration\u003c\/li\u003e\n\u003cli\u003eRhayder Alone\u003c\/li\u003e\n\u003cli\u003eFlight of the Snow Goose\u003c\/li\u003e\n\u003cli\u003ePreparation\u003c\/li\u003e\n\u003cli\u003eDunkirk\u003c\/li\u003e\n\u003cli\u003eEpitaph\u003c\/li\u003e\n\u003cli\u003eFritha Alone\u003c\/li\u003e\n\u003cli\u003eLa Princesse Perdue\u003c\/li\u003e\n\u003cli\u003eThe Great Marsh\u003c\/li\u003e\n\u003c\/ol\u003e\u003col\u003e\n\u003cli\u003eAristillus\u003c\/li\u003e\n\u003cli\u003eSong Within a Song\u003c\/li\u003e\n\u003cli\u003eChord Change\u003c\/li\u003e\n\u003cli\u003eSpirit of the Water\u003c\/li\u003e\n\u003cli\u003eAnother Night\u003c\/li\u003e\n\u003cli\u003eAir Born\u003c\/li\u003e\n\u003cli\u003eLunar Sea\u003c\/li\u003e\n\u003c\/ol\u003e\u003col\u003e\n\u003cli\u003eCity Life\u003c\/li\u003e\n\u003cli\u003eNude\u003c\/li\u003e\n\u003cli\u003eDrafted\u003c\/li\u003e\n\u003cli\u003eDocks\u003c\/li\u003e\n\u003cli\u003eBeached\u003c\/li\u003e\n\u003cli\u003eLandscapes\u003c\/li\u003e\n\u003cli\u003eChanging Places\u003c\/li\u003e\n\u003cli\u003ePomp and Circumstance\u003c\/li\u003e\n\u003cli\u003ePlease Come Home\u003c\/li\u003e\n\u003cli\u003eReflections\u003c\/li\u003e\n\u003cli\u003eCaptured\u003c\/li\u003e\n\u003cli\u003eThe Homecoming\u003c\/li\u003e\n\u003cli\u003eLies\u003c\/li\u003e\n\u003cli\u003eThe Birthday Cake (The Last Farewell)\u003c\/li\u003e\n\u003cli\u003eNude's Return (The Last Farewell)\u003c\/li\u003e\n\u003c\/ol\u003e\u003col\u003e\n\u003cli\u003eSlow Yourself Down\u003c\/li\u003e\n\u003cli\u003eMystic Queen\u003c\/li\u003e\n\u003cli\u003eSix Ate\u003c\/li\u003e\n\u003cli\u003eSeperation\u003c\/li\u003e\n\u003cli\u003eNever Let Go\u003c\/li\u003e\n\u003cli\u003eCuriosity\u003c\/li\u003e\n\u003cli\u003eArubaluba\u003c\/li\u003e\n\u003cli\u003eFreefall\u003c\/li\u003e\n\u003cli\u003eSupertwister\u003c\/li\u003e\n\u003cli\u003eNimrodel \/ The Procession \/ The White Rider\u003c\/li\u003e\n\u003cli\u003eEarthrise\u003c\/li\u003e\n\u003cli\u003eLady Fantasy\u003c\/li\u003e\n\u003cli\u003eAutumn - Bonus track\u003c\/li\u003e\n\u003c\/ol\u003e\u003col\u003e\n\u003cli\u003eThe Great Marsh\u003c\/li\u003e\n\u003cli\u003eRhayder\u003c\/li\u003e\n\u003cli\u003eRhayder Goes to Town\u003c\/li\u003e\n\u003cli\u003eSanctuary\u003c\/li\u003e\n\u003cli\u003eFritha\u003c\/li\u003e\n\u003cli\u003eThe Snow Goose\u003c\/li\u003e\n\u003cli\u003eFriendship\u003c\/li\u003e\n\u003cli\u003eMigration\u003c\/li\u003e\n\u003cli\u003eRhayder Alone\u003c\/li\u003e\n\u003cli\u003eFlight of the Snow Goose\u003c\/li\u003e\n\u003cli\u003ePreparation\u003c\/li\u003e\n\u003cli\u003eDunkirk\u003c\/li\u003e\n\u003cli\u003eEpitaph\u003c\/li\u003e\n\u003cli\u003eFritha Alone\u003c\/li\u003e\n\u003cli\u003eLa Princesse Perdue\u003c\/li\u003e\n\u003cli\u003eThe Great Marsh\u003c\/li\u003e\n\u003cli\u003eRiverman - Bonus track\u003c\/li\u003e\n\u003cli\u003eAristillus\u003c\/li\u003e\n\u003cli\u003eSong Within a Song\u003c\/li\u003e\n\u003cli\u003eChord Change\u003c\/li\u003e\n\u003cli\u003eSpirit of the Water\u003c\/li\u003e\n\u003cli\u003eAnother Night\u003c\/li\u003e\n\u003cli\u003eAir Born\u003c\/li\u003e\n\u003cli\u003eLunar Sea\u003c\/li\u003e\n\u003c\/ol\u003e\u003col\u003e\n\u003cli\u003eCity Life\u003c\/li\u003e\n\u003cli\u003eNude\u003c\/li\u003e\n\u003cli\u003eDrafted\u003c\/li\u003e\n\u003cli\u003eDocks\u003c\/li\u003e\n\u003cli\u003eBeached\u003c\/li\u003e\n\u003cli\u003eLandscapes\u003c\/li\u003e\n\u003cli\u003eChanging Places\u003c\/li\u003e\n\u003cli\u003ePomp and Circumstance\u003c\/li\u003e\n\u003cli\u003ePlease Come Home\u003c\/li\u003e\n\u003cli\u003eReflections\u003c\/li\u003e\n\u003cli\u003eCaptured\u003c\/li\u003e\n\u003cli\u003eThe Homecoming\u003c\/li\u003e\n\u003cli\u003eLies\u003c\/li\u003e\n\u003cli\u003eThe Birthday Cake (The Last Farewell)\u003c\/li\u003e\n\u003cli\u003eNude's Return (The Last Farewell)\u003c\/li\u003e\n\u003c\/ol\u003e\u003col\u003e\n\u003cli\u003eNever Let Go\u003c\/li\u003e\n\u003cli\u003eArubaluba\u003c\/li\u003e\n\u003cli\u003eSelections from \"The Snow Goose\" a. The Snow Goose \/ b. Friendship \/ c. Rhayader Goes to Town (Guildford Civic Hall 1973 – MCA Promo film shown on “The Old Grey Whistle Test”)\u003c\/li\u003e\n\u003cli\u003eThe White Rider (BBC TV – The Old Grey Whistle Test – 21st June 1975)\u003c\/li\u003e\n\u003cli\u003eLunar Sea (BBC TV – The Old Grey Whistle Test – 21st June 1975)\u003c\/li\u003e\n\u003cli\u003ePreparation (BBC TV – The Old Grey Whistle Test – 21st June 1975)\u003c\/li\u003e\n\u003cli\u003eDunkirk (BBC TV – The Old Grey Whistle Test – 21st June 1975)\u003c\/li\u003e\n\u003cli\u003eAnother Night (BBC TV – The Old Grey Whistle Test – 21st June 1975)\u003c\/li\u003e\n\u003cli\u003eLady Fantasy (BBC TV – The Old Grey Whistle Test – 21st June 1975)\u003c\/li\u003e\n\u003cli\u003eFirst Light (Live at Hammersmith Odeon – 14th April 1976)\u003c\/li\u003e\n\u003cli\u003eMetrognome (Live at Hammersmith Odeon – 14th April 1976)\u003c\/li\u003e\n\u003cli\u003eUnevensong (Live at Hammersmith Odeon – 14th April 1976)\u003c\/li\u003e\n\u003cli\u003eRhayader \/ Rhayader Goes to Town (Live at Hammersmith Odeon – 14th April 1976)\u003c\/li\u003e\n\u003cli\u003eSkylines (Live at Hammersmith Odeon – 14th April 1976)\u003c\/li\u003e\n\u003cli\u003eHighways of the Sun (Live at Hammersmith Odeon – 14th April 1976)\u003c\/li\u003e\n\u003cli\u003eLunar Sea (Live at Hammersmith Odeon – 14th April 1976)\u003c\/li\u003e\n\u003cli\u003eRain Dances (Live at Hammersmith Odeon – 14th April 1976)\u003c\/li\u003e\n\u003cli\u003eNever Let Go (Live at Hammersmith Odeon – 14th April 1976)\u003c\/li\u003e\n\u003cli\u003eOne of These Days I'll Get an Early Night (Live at Hammersmith Odeon – 14th April 1976)\u003c\/li\u003e\n\u003cli\u003eCity Life (BBC TV – “Sight \u0026amp; Sound in Concert – 29th September 1977”)\u003c\/li\u003e\n\u003cli\u003eLies (BBC TV – “Sight \u0026amp; Sound in Concert – 29th September 1977”)\u003c\/li\u003e\n\u003c\/ol\u003e\u003col\u003e\n\u003cli\u003eIn the Arms of Waltzing Fraulines\u003c\/li\u003e\n\u003cli\u003ePressure Points\u003c\/li\u003e\n\u003cli\u003eRefugee\u003c\/li\u003e\n\u003cli\u003eVopos\u003c\/li\u003e\n\u003cli\u003eStationary Traveller\u003c\/li\u003e\n\u003cli\u003eWest Berlin\u003c\/li\u003e\n\u003cli\u003eFingertips\u003c\/li\u003e\n\u003cli\u003eSasquatch\u003c\/li\u003e\n\u003cli\u003eWait\u003c\/li\u003e\n\u003cli\u003eCloak and Dagger Man\u003c\/li\u003e\n\u003cli\u003eLong Goodbyes\u003c\/li\u003e\n\u003cli\u003eRhayader\u003c\/li\u003e\n\u003cli\u003eRhayader Goes to Town\u003c\/li\u003e\n\u003cli\u003eLady Fantasy\u003c\/li\u003e\n\u003cli\u003eIn the Arms of Waltzing Fraulines\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Camel","offers":[{"title":"Default Title","offer_id":46781328032029,"sku":"456769A","price":176.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/4842\/8061\/files\/CamelBox_3D_Render1_da271444-311f-41f2-aa13-b685444de0df.png?v=1719244862"},{"product_id":"i-o-2cd","title":"i\/o: 2CD","description":"\u003cp\u003eMore than 20 years in the making, this December finally sees the release of i\/o, Peter Gabriel’s first album of new material since 2002’s Up.\u003cbr\u003e\u003cbr\u003eDuring 2023, Peter has been releasing a new song from the album on the occasion of every full moon. Being revealed roughly every four weeks, each track has been allowed to find its own time and space, to enjoy its own orbit. “It’s a little like getting a Lego piece each month,” Peter explains. Now it’s time to stand back and admire the final, completed creation.\u003cbr\u003e\u003cbr\u003eAnd what a creation – 12 tracks of grace, gravity and great beauty that provide welcome confirmation of not only Peter’s ongoing ability to write stop-you-in-your-tracks songs but also of that thrilling voice, still perfectly, delightfully intact. Throughout the album the intelligent and thoughtful – often thought-provoking – songs tackle life and the universe. Our connection to the world around us – ‘I’m just a part of everything’ Peter sings on title track i\/o – is a recurring motif, but so too the passing of time, mortality and grief, alongside such themes as injustice, surveillance and the roots of terrorism. But this is not a solemn record. While reflective, the mood is never despondent; i\/o is musically adventurous, often joyous and ultimately full of hope, topped off as it is, by the rousingly optimistic closing song, Live and Let Live.  \u003cbr\u003e\u003cbr\u003eAlways looking to push the boundaries, i\/o is not simply a collection of a dozen songs. All 12 tracks are subject to two stereo mixes: the Bright-Side Mix, handled by Mark ‘Spike’ Stent, and the Dark-Side Mix, as reshaped by Tchad Blake. “We have two of the greatest mixers in the world in Tchad and Spike and they definitely bring different characters to the songs. Tchad is very much a sculptor building a journey with sound and drama, Spike loves sound and assembling these pictures, so he’s more of a painter.” Both versions are included on the double-CD package, and are also available separately as double vinyl albums. And that’s not all. A third version – the In-Side Mix, in Dolby Atmos, comes courtesy of Hans-Martin Buff “doing a wonderful job generating these much more three-dimensional mixes” and is included in three-disc set, including Blu-ray.\u003cbr\u003e\u003cbr\u003ePeter has kept his trusty inner circle of musicians close to hand, which means guitarist David Rhodes, bassist Tony Levin and drummer Manu Katché are sterling presences throughout. Several songs bear the fingerprints of long-time associate Brian Eno, whilst there are notable contributions from the likes of Richard Russell, pianist Tom Cawley, trumpeters Josh Shpak and Paolo Fresu, cellist Linnea Olsson and keyboard player Don E. Peter’s daughter Melanie contributes warm backing vocals, as does Ríoghnach Connolly of The Breath. Soweto Gospel Choir and Swedish all-male choir Oprhei Drängar lend their magnificent harmonies and the mass strings of the New Blood Orchestra, led by John Metcalfe, both soothe and soar.\u003cbr\u003e\u003cbr\u003ePeter has also invited a range of visual artists to contribute a piece of art to accompany each track. The dozen artists make an exceedingly impressive team of collaborators: Ai Weiwei, Nick Cave, Olafur Eliasson, Henry Hudson, Annette Messager, Antony Micallef, David Moreno, Cornelia Parker, Megan Rooney, Tim Shaw, David Spriggs and Barthélémy Toguo. Having handpicked the artists, Peter recognises that “They have the same obsessive attention to their visual work that we musicians have in sound.”\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eCD1 – Bright-Side Mix\u003c\/strong\u003e\u003cbr\u003e1. Panopticom \u003cbr\u003e2. The Court\u003cbr\u003e3. Playing For Time\u003cbr\u003e4. i\/o\u003cbr\u003e5. Four Kinds of Horses\u003cbr\u003e6. Road to Joy\u003cbr\u003e7. So Much\u003cbr\u003e8. Olive Tree\u003cbr\u003e9. Love Can Heal\u003cbr\u003e10. This Is Home\u003cbr\u003e11. And Still \u003cbr\u003e12. Live and Let Live\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCD2 – Dark-Side Mix\u003c\/strong\u003e\u003cbr\u003e1. Panopticom \u003cbr\u003e2. The Court\u003cbr\u003e3. Playing For Time\u003cbr\u003e4. i\/o \u003cbr\u003e5. Four Kinds of Horses\u003cbr\u003e6. Road to Joy\u003cbr\u003e7. So Much\u003cbr\u003e8. Olive Tree\u003cbr\u003e9. Love Can Heal\u003cbr\u003e10. This Is Home\u003cbr\u003e11. And Still \u003cbr\u003e12. Live and Let Live\u003cbr\u003e\u003c\/p\u003e","brand":"Peter Gabriel","offers":[{"title":"Default Title","offer_id":46866248040733,"sku":"PGCD21","price":16.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/4842\/8061\/files\/1_61_1.png?v=1752161766"},{"product_id":"i-o-2cd-blu-ray","title":"i\/o: 2CD + Blu-Ray","description":"\u003cp\u003eMore than 20 years in the making, this December finally sees the release of i\/o, Peter Gabriel’s first album of new material since 2002’s Up.\u003cbr\u003e\u003cbr\u003eDuring 2023, Peter has been releasing a new song from the album on the occasion of every full moon. Being revealed roughly every four weeks, each track has been allowed to find its own time and space, to enjoy its own orbit. “It’s a little like getting a Lego piece each month,” Peter explains. Now it’s time to stand back and admire the final, completed creation.\u003cbr\u003e\u003cbr\u003eAnd what a creation – 12 tracks of grace, gravity and great beauty that provide welcome confirmation of not only Peter’s ongoing ability to write stop-you-in-your-tracks songs but also of that thrilling voice, still perfectly, delightfully intact. Throughout the album the intelligent and thoughtful – often thought-provoking – songs tackle life and the universe. Our connection to the world around us – ‘I’m just a part of everything’ Peter sings on title track i\/o – is a recurring motif, but so too the passing of time, mortality and grief, alongside such themes as injustice, surveillance and the roots of terrorism. But this is not a solemn record. While reflective, the mood is never despondent; i\/o is musically adventurous, often joyous and ultimately full of hope, topped off as it is, by the rousingly optimistic closing song, Live and Let Live.  \u003cbr\u003e\u003cbr\u003eAlways looking to push the boundaries, i\/o is not simply a collection of a dozen songs. All 12 tracks are subject to two stereo mixes: the Bright-Side Mix, handled by Mark ‘Spike’ Stent, and the Dark-Side Mix, as reshaped by Tchad Blake. “We have two of the greatest mixers in the world in Tchad and Spike and they definitely bring different characters to the songs. Tchad is very much a sculptor building a journey with sound and drama, Spike loves sound and assembling these pictures, so he’s more of a painter.” Both versions are included on the double-CD package, and are also available separately as double vinyl albums. And that’s not all. A third version – the In-Side Mix, in Dolby Atmos, comes courtesy of Hans-Martin Buff “doing a wonderful job generating these much more three-dimensional mixes” and is included in three-disc set, including Blu-ray.\u003cbr\u003e\u003cbr\u003ePeter has kept his trusty inner circle of musicians close to hand, which means guitarist David Rhodes, bassist Tony Levin and drummer Manu Katché are sterling presences throughout. Several songs bear the fingerprints of long-time associate Brian Eno, whilst there are notable contributions from the likes of Richard Russell, pianist Tom Cawley, trumpeters Josh Shpak and Paolo Fresu, cellist Linnea Olsson and keyboard player Don E. Peter’s daughter Melanie contributes warm backing vocals, as does Ríoghnach Connolly of The Breath. Soweto Gospel Choir and Swedish all-male choir Oprhei Drängar lend their magnificent harmonies and the mass strings of the New Blood Orchestra, led by John Metcalfe, both soothe and soar.\u003cbr\u003e\u003cbr\u003ePeter has also invited a range of visual artists to contribute a piece of art to accompany each track. The dozen artists make an exceedingly impressive team of collaborators: Ai Weiwei, Nick Cave, Olafur Eliasson, Henry Hudson, Annette Messager, Antony Micallef, David Moreno, Cornelia Parker, Megan Rooney, Tim Shaw, David Spriggs and Barthélémy Toguo. Having handpicked the artists, Peter recognises that “They have the same obsessive attention to their visual work that we musicians have in sound.”\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eCD1 – Bright-Side Mix\u003c\/strong\u003e\u003cbr\u003e1. Panopticom \u003cbr\u003e2. The Court\u003cbr\u003e3. Playing For Time\u003cbr\u003e4. i\/o\u003cbr\u003e5. Four Kinds of Horses\u003cbr\u003e6. Road to Joy\u003cbr\u003e7. So Much\u003cbr\u003e8. Olive Tree\u003cbr\u003e9. Love Can Heal\u003cbr\u003e10. This Is Home\u003cbr\u003e11. And Still \u003cbr\u003e12. Live and Let Live\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCD2 – Dark-Side Mix\u003c\/strong\u003e\u003cbr\u003e1. Panopticom \u003cbr\u003e2. The Court\u003cbr\u003e3. Playing For Time\u003cbr\u003e4. i\/o \u003cbr\u003e5. Four Kinds of Horses\u003cbr\u003e6. Road to Joy\u003cbr\u003e7. So Much\u003cbr\u003e8. Olive Tree\u003cbr\u003e9. Love Can Heal\u003cbr\u003e10. This Is Home\u003cbr\u003e11. And Still \u003cbr\u003e12. Live and Let Live\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eBlu-Ray – In-Side Mix (Dolby Atmos)\u003cbr\u003e\u003c\/strong\u003e1. Panopticom \u003cbr\u003e2. The Court\u003cbr\u003e3. Playing For Time\u003cbr\u003e4. i\/o \u003cbr\u003e5. Four Kinds of Horses\u003cbr\u003e6. Road to Joy\u003cbr\u003e7. So Much\u003cbr\u003e8. Olive Tree\u003cbr\u003e9. Love Can Heal\u003cbr\u003e10. This Is Home\u003cbr\u003e11. And Still \u003cbr\u003e12. Live and Let Live\u003cbr\u003e\u003c\/p\u003e","brand":"Peter Gabriel","offers":[{"title":"Default Title","offer_id":46866274091293,"sku":"PGCDBR21","price":21.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/4842\/8061\/files\/1_287_29_6.png?v=1752158583"},{"product_id":"the-southern-harmony-and-musical-companion-2cd","title":"The Southern Harmony And Musical Companion: 2CD","description":null,"brand":"The Black Crowes","offers":[{"title":"Default Title","offer_id":46910814454045,"sku":"5835020","price":12.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/4842\/8061\/files\/2CD_281_29.png?v=1745802201"}],"url":"https:\/\/thesoundofvinyl.com\/collections\/all-cd.oembed?page=10","provider":"The Sound of Vinyl","version":"1.0","type":"link"}