{"title":"Album","description":"","products":[{"product_id":"the-world-wont-listen-vinyl-2lp","title":"The World Won't Listen: Vinyl 2LP","description":"Restock of this classic title back in stock late March","brand":"Unknown","offers":[{"title":"Default Title","offer_id":44504461345053,"sku":"825646658817","price":46.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/4842\/8061\/files\/SharedImage-132403.jpg?v=1748034996"},{"product_id":"domestic-sphere-cd","title":"Domestic Sphere: CD","description":"\u003cp\u003e\u003cem\u003eFor her austere new solo album, Domestic Sphere, Josephine Foster performs solely with her electric guitar and then subverts the usual range of her voice to embody other frequencies and sounds beyond the surface layer of the songs. She communes so completely with every sound on the record, with the past and the future, animals and insects and birds, those so tenderly dead, and those of us who are alive. Listening to the record is a transcendent experience. It's an exorcism, one that exorcises you. Domestic Sphere, produced by Foster and collaborator Daniel Blumberg, is an altar cloth of songs stitched together as liturgical music for a restless homestead, whose values insist simply that everything is music and that our daily life is a sacred, innately creative practice. In such a world creaking door reveal natural orchestras with wailing cats in service of melodic collaborations with Tennessee songbirds, Foster's world is an extra-sensory radio play in two acts, where songs overlay structures like creeping vines. A seance by song, Josephine channels sounds from her interior and exterior landscapes, whether integrating field recordings reflecting daily life in a Spanish village and other moments in her life as a nomadic musician, or, as in one tender cameo, the voice of her great-grandmother comes from the other side. These songs are vigils, melodies sung intently, to be set aflame and sung off with the wind. \u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003e“Powerful and eccentric” Pitchfork\u003cbr\u003e\n“A dreamily unique talent” The Guardian\u003c\/em\u003e\u003c\/p\u003e\n","brand":"Josephine Foster","offers":[{"title":"Default Title","offer_id":44636455469341,"sku":"FIRECD684","price":12.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/4842\/8061\/files\/0031198164_10.jpg?v=1749599305"},{"product_id":"a-paranormal-evening-with-the-moonflower-society-limited-edition-mediabook-cd","title":"A Paranormal Evening With The Moonflower Society: Limited Edition Mediabook CD","description":"\u003cp\u003eDarkness descends over the hall, the curtain rises. Dear audience, welcome to the wondrous otherworld of Avantasia!\u003c\/p\u003e\n\n\u003cp\u003eWith his ninth album, \"A Paranormal Evening with the Moonflower Society\", Tobias Sammet invites you to join him on an enchanted journey into his own version of reality, which is full of fantastic events and encounters.\u003c\/p\u003e  \n\n\u003cp\u003eIt is a captivating, deeply magical universe that Tobias Sammet has built over the past two decades. Since his debut \"The Metal Opera\" (2001), the Peter Pan of international rock and metal has romped between metal, classical and rock, beguiling the biggest festivals around the world with his traveling circus and working with the greatest voices in the metal world including Alice Cooper and Scorpions’ Klaus Meine.\u003c\/p\u003e\n\n\u003cp\u003eThe reward for his passionate work and years on the road: number one in the German album charts for the latest record \"Moonglow\" (2019), more than three million albums sold, over 250 million streams, sold-out world tours, and a fan base that listens to him live and in front of the home speakers with excitement and enthusiasm. Sometimes Tobias Sammet, also renowned for being singer, producer and songwriter in Edguy, cannot quite believe it all himself. \"My whole life is based on childish ideas and dreams, which amazingly I still get away with,\" he says incredulously. \"Even after 30 years, music is my favourite, biggest, only hobby. And the fact that I can make a living from it fills me with deep gratitude.\"\u003c\/p\u003e\n\n\u003cp\u003eBut of course he also does a lot for it. The construction of a new studio, for example - an investment that proves to be a pandemic stroke of luck in 2020: In his new realm, Sammet could indulge in his art while ignoring the world outside. \"I was faced with more time than ever before,\" he looks back. \"So I was paying as much attention to details and little things as I had in my early years. On the last records, I outsourced certain things to my producer Sascha Paeth, mostly just to save time. However, now I didn't have to save time. There hasn't been a record that sounded so much like me.\" Tinkering with sounds for nights, writing parts for his duet partners, arranging and singing the choirs himself - on \"A Paranormal Evening with the Moonflower Society\" Sammet is not only impresario, conductor and musician, he also handles a majority of the vocals, and presents himself at the top of his game.\u003c\/p\u003e\n\n\u003cp\u003eThus, a truly powerful, enchanted album was created in his new studio that proves to be equally furious, playful, orchestral, epic and profits from Tobias Sammet’s musical past and upbringing. \"I'm a child of the eighties. I grew up with 'Holy Diver,' Queen, but also 'Take On Me.' Maybe I have given a little more room to my many influences yet the result feels very consistent and coherent.\" One thing is for sure: Avantasia has never sounded so fresh, so dynamic and refined, so detached from time and space - a perfect union of the young, hot-headed Sammet and the accomplished storyteller of the here and now. Because above all, Avantasia is about stories, set in a strange, mythical and unique world. \"I have processed many things from my life and tailored them to my fantastic characters. As a result, the songs develop a life of their own that others can identify with,\" Sammet says. \"Songs are therapeutical for me, so there is always something personal behind the fantastic themes. I want to stimulate the listener's imagination, but not simply offer bland escapism. Avantasia is not a musical where the wizard defeats the evil forest spirit in the seventh song. There's always more to it.\"\u003c\/p\u003e\n\n\u003cp\u003eThe project, which used to be particularly famous for its changing guest singers, has long since become a band, a family. \"We even have a joint WhatsApp group where there's always something going on,\" Sammet grins. “We are a conspiratorial bunch, a gang.\"\u003c\/p\u003e\n\n\u003cp\u003eAlso on \"A Paranormal Evening with the Moonflower Society\" a lot of old acquaintances duel with Tobias Sammet in the vocal department: Eric Martin, Michael Kiske, Ronnie Atkins, Geoff Tate or Bob Catley, for example. \"I wanted a classic Avantasia album, so of course I relied on people who accompany Avantasia for a long time. They are also part of this band, thus there is no need to change that all of a sudden.\"\u003c\/p\u003e\n\n\u003cp\u003eStill, of course, there are still voices he has always wanted to work with. On his new album, the contributions from Floor Jansen and Ralf Scheepers make him particulay happy. He had intended the power ballad ‘Misplaced Among the Angels’ for the Nighwish vocalist. “The song was ready and she could well imagine to sing it but was not sure if it would fit her tone”, Sammet details. So, he quickly wrote the rocking, symphonic \"Kill The Pain Away\" for their duet. “The rest was a matter of days and after she had finished nailing this track, she was more comfortable with “Misplaced Among the Angels”, too, and sang it without further ado. And delivered like a beast!\"\u003c\/p\u003e\n\n\u003cp\u003eAs first single, Sammet picked the hard-hitting, galloping \"The Wicked Rule The Night”, a perfect choice for vocal tornado Ralf Scheepers. \"Nobody on this planet could have sung this song better,\" Sammet notes. \"I wanted to hit people right away with the first single. Can't always be about the gummy bear gang in magic land,\" he laughs. \nFrom the mystical, driving title track to fragile moments like in \"Paper Planes\" to the ten-minute closing sensation \"Arabesque,\" Avantasia go all in. And hit the jackpot.\u003c\/p\u003e\n\n\u003cp\u003eAnd this ominous Moonflower Society? For Sammet, it symbolises his band: \"A moonflower is a creature of the night that blossoms when the world is asleep. For me, it stands on one hand for the weird characters I populate my songs with, and on the other for the weird characters I surround myself with in Avantasia.\"\u003c\/p\u003e\n","brand":"Avantasia","offers":[{"title":"Default Title","offer_id":44801087897885,"sku":"727361583002","price":13.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/4842\/8061\/files\/SharedImage-137930.png?v=1746744307"},{"product_id":"days-of-the-lost-cd","title":"Days Of The Lost: CD","description":"\u003cp\u003e2020. The year of the corona-pandemic, when the music world was forced into a standstill, five old friends put in motion an old idea that had been lingering - and what eventually was to become a new band and powerhouse: The Halo Effect.\nThe members of The Halo Effect are not only masters of their domain, but also some of the pioneers of the Gothenburg melodeath scene; Lead guitarists and melodic deathslingers Niclas Engelin and Jesper Strömblad, lead singer and raging growler and lyricist Mikael Stanne, further on adding to this mix is the solid backbone and foundation of power bassist Peter Iwers, and his partner in crime since twenty plus years, hard-hitting drummer Daniel Svensson.\u003c\/p\u003e\n\n\u003cp\u003eKnowing each other from an early age during the late 80’s and then playing together in different constellations during the 90’s, they came to dominate the Metal scene in Gothenburg - mainly being part of the two major bands and metal exports In Flames and Dark Tranquillity, also two of the pioneers and major forces behind the melodeath monicker: The Gothenburg Sound. A sound that would echo far and wide across the world and influence countless of metal bands during the 90’s and early 2000’s.This was also the initial thought behind The Halo Effect - to go back to the roots and\nexplore what the groundbreaking metal sounded like then. And add the experience and skills of what the members could bring to the table now. \u003c\/p\u003e\n\n\u003cp\u003eThe result is an exceptional album and real tour de force to fans of melodeath where the echoes of the Gothenburg\nSound is evident. The Halo Effect delivers the goods in a brutally efficient display of heart pounding beats, melodic mayhem and furious growling at its best. Raw, yetmelodic, and in your melted face.Buckle up and remove your ear plugs. The restrictions are being lifted, the pandemic is over, and The Halo Effect is finally ready to meet its audience all over the world.\u003c\/p\u003e","brand":"The Halo Effect","offers":[{"title":"Default Title","offer_id":44805114528029,"sku":"406562960292","price":12.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/4842\/8061\/files\/SharedImage-134038.png?v=1759789746"},{"product_id":"dividing-lines-limited-digipack-cd","title":"Dividing Lines: Limited Digipack CD","description":"\u003cp\u003eFormed in leafy Surrey in the late ‘80s, Threshold truly blossomed in the following decade, and swiftly established themselves as the UK’s chief progressive metal standard bearers. From 1993’s Wounded Land debut onwards, the enduring creative core of guitarist Karl Groom and keyboard maestro Richard West constructed a unique new strain of heavy, progressive music, combining incisive melodies, thought-provoking lyrics and intricate but thunderous arrangements. Whether fronted by current vocalist Glynn Morgan, who first sang with Threshold on 1994’s Psychedelicatessen, the late, great Andrew ‘Mac’ McDermott (a member from 1998 to 2007), or three-time alumnus Damian Wilson, Threshold have marched inexorably forward across three decades of creative fervour, arguably hitting a new peak of potency on the conceptual and musical splurge of 2017’s Legends Of The Shires. With Glynn Morgan back in the fold, the Brits’ enduring line-up of Groom, West, drummer Johanne James and bassist Steve Anderson somehow pushed themselves to new heights, receiving widespread acclaim and finding themselves in more demand than ever before. Despite the unavoidable setback of a global pandemic, Threshold arrive in 2022 in the best of health.\u003c\/p\u003e\n\n\u003cp\u003eFollowing up a newly-minted classic was always going to present Threshold with a challenge, but the band’s twelfth studio album swiftly confirms that the challenge has been met. Darker, heavier and even more adventurous than its predecessor, Dividing Lines reveals a band with a lot on their collective mind, while also boasting some of the most wildly inventive and melodically potent material they have ever recorded.\u003c\/p\u003e\n\n\u003cp\u003eDespite its many tense and tumultuous moments, Dividing Lines is also a showcase for just how much fun Threshold are having right now. Whether finding new ways to break hearts and touch souls on the streamlined, direct likes of Haunted, Silenced and Lost Along The Way, or exploring all kinds of new territory and re-tooled trademarks on elaborate epics The Domino Effect and Defence Condition, these ageless veterans are plainly in the form of their lives.\u003c\/p\u003e\n\n\u003cp\u003eWhile Legends Of The Shires presented a self-contained narrative that enabled Threshold to let their imaginations run wild, Dividing Lines eschews the conceptual approach in favour of a more traditional group of songs, linked by a hazy but unmistakable common theme.\u003c\/p\u003e\n\n\u003cp\u003eA collection of emotionally potent monuments to humanity’s eternal turmoil, Dividing Lines may be a dark record for dark times, but at its heart lies a message of hope for better times.\u003c\/p\u003e\n\n\u003cp\u003eIf the future of this planet looks bleak, at least the soundtrack will be spectacular. Dividing Lines is an album of shadows and light, of despair and hope; the human experience, rendered in dazzling, widescreen colours and performed with all the intensity and passion that has typified Threshold’s more than three decades of active service. The UK’s kings of prog metal are back, and ready to conquer the world all over again.\u003c\/p\u003e\n","brand":"Threshold","offers":[{"title":"Default Title","offer_id":44805115773213,"sku":"727361489908","price":12.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/4842\/8061\/files\/SharedImage-138020.png?v=1759794185"},{"product_id":"doggerel-cd","title":"Doggerel: CD","description":"\u003cp\u003eThe iconic Pixies forged an influential path for alt-rock during their first era, while their post 2004 reunion has seen them alchemize more sophisticated dark arts - a return which has them add another three UK Top 10 albums to the three they achieved on their first run. Now as fired up as ever before, Pixies will release their eighth studio album ‘Doggerel’ on September 30th via BMG, including lead single ‘There’s a Moon On’.\n‘Doggerel’ is a mature yet visceral record of gruesome folk, ballroom pop and brutal rock, haunted by the ghosts of affairs and indulgences, driven wild by cosmic forces and envisioning digital afterlives where no God has provided one. And all the while, right there on the news, another distant storm approaches.\u003c\/p\u003e\n","brand":"Pixies","offers":[{"title":"Default Title","offer_id":44805115904285,"sku":"INFECT701CD","price":12.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/4842\/8061\/files\/SharedImage-137988.jpg?v=1745807624"},{"product_id":"doggerel-deluxe-cd","title":"Doggerel: Deluxe CD","description":"\u003cp\u003eThe iconic Pixies forged an influential path for alt-rock during their first era, while their post 2004 reunion has seen them alchemize more sophisticated dark arts - a return which has them add another three UK Top 10 albums to the three they achieved on their first run. Now as fired up as ever before, Pixies will release their eighth studio album ‘Doggerel’ on September 30th via BMG, including lead single ‘There’s a Moon On’.\n‘Doggerel’ is a mature yet visceral record of gruesome folk, ballroom pop and brutal rock, haunted by the ghosts of affairs and indulgences, driven wild by cosmic forces and envisioning digital afterlives where no God has provided one. And all the while, right there on the news, another distant storm approaches.\u003c\/p\u003e\n","brand":"Pixies","offers":[{"title":"Default Title","offer_id":44805116166429,"sku":"405053880738","price":16.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/4842\/8061\/products\/SharedImage-137989_b388cee1-9b60-4d5e-a2c6-36eae9ad1a4e.jpg?v=1682089088"},{"product_id":"eyes-of-oblivion-cd","title":"Eyes Of Oblivion: CD","description":"Legendary Swedish high energy rock'n'roll band THE HELLACOPTERS were formed in 1994 by Nicke Andersson (vocals and guitar), Andreas Tyrone \"Dregen\" Svensson (guitar), Kenny Håkansson (bass) and Robert Eriksson (drums). Andersson is renowned for his work in death metal band ENTOMBED and Dregen from his main band BACKYARD BABIES. Together with THE HIVES, THE HELLACOPTERS are considered one of the most important and influential Swedish rock bands - they achieved two Gold certifications, won the Swedish grammy and a Kerrang! award, and have amassed 100 million streams to date. THE HELLACOPTERS reunited in 2016 and have proven an unstoppable force ever since, performing at Sweden Rock Festival, Psycho Las Vegas, Download, Hellfest, Roskilde, Ilosaarirock, and many more. In 2021, THE HELLACOPTERS signed a deal with Nuclear Blast Records and will return in Spring 2022 with their first studio album since over a decade. ","brand":"The Hellacopters","offers":[{"title":"Default Title","offer_id":44805135499549,"sku":"406562963002","price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/4842\/8061\/files\/SharedImage-129996.png?v=1748034445"},{"product_id":"heimdal-cd","title":"Heimdal: CD","description":"\u003cp\u003eIn true Enslaved fashion, the Bergen voyagers’ 16th album, “Heimdal”, is both a departure and a communion with roots forged over three decades ago in the turbulent birth throes of Norway’s black metal scene. Founded in 1991 by the then precociously young Ivar Bjørnson and Grutle Kjellson, Enslaved were determined to set out on a different course from their Satanic, church-burning peers, turning their attention towards Viking lore and writing the majority of the lyrics for their 1994 debut album, “Vikingligr Veldi“, in Icelandic for its proximity to Old Norse.\u003c\/p\u003e\n\n\u003cp\u003eIf subsequent albums, “Frost” and “Eld” – spelling out the dynamic, combinative properties of ice and fire – remain incandescent marker points for Norway’s black metal scene, they were signposts too. Contained within their fevered, sloshing riffs and pomp-infused atmospheres were swells of anticipation and an embryonic sense of destiny. They were tantalising glimpses of the wide-open spaces that have become Enslaved’s guiding principle as they’ve come to straddle the extreme and progressive worlds, with their restless spirit the source of an ongoing journey of wide-eyed discovery.\n2020’s “Utgard” album was the beginning of a new phase for the band, delving deeper into the esoteric nature of Nordic mythology, but finding more precise jump-off points for a leap into the unknown. More streamlined than its multi-layered predecessors, “In Times” and “E”, if only to prise open new expanses to explore, its ruminations on the shadowy, titular land of the Norse Jotun ice giants found parallels with the psychological states of the unconscious, and the pilgrimage into our own hearts of darkness that’s the start of the route to all self-knowledge. Of course, even themes of introspection were transformed into kaleidoscopic sonic adventurism, ranging from blackened, frostbitten charges, through lush, billowing, groove-bolstered updrafts to view-above-the-cloudline vistas and even dives into syncopated, krautrock-inspired wormholes.\u003c\/p\u003e\n\n\u003cp\u003eFor Enslaved, each stage of a journey plants a seed for the next. After 2021’s interim EP, “Caravans To The Outer Worlds”, “Heimdal” offers another tangential act of discovery, another embarkation point for a solemn, expectant and exhilarating passage through the realms of the senses.“Heimdal” is named after arguably the most mysterious entity in Nordic mythology. Most famously known as the gatekeeper between the nine Norse realms, he’s a source of constant speculation, as scholars continue to offer new interpretations of his origins, and his purpose.\u003c\/p\u003e\n\n\u003cp\u003eThe father\/son relationship between the Heimdal and Odin figures mirrors the journey Enslaved have been on for 30 years: the dialogue between older and younger versions of oneself, and whether they are separate, or bound as one. As Ivar says, “It feels like yesterday we were 15 or 18 years old, driving around Haugesund throwing eggs at people during a rehearsal break, and then what the fuck, we have kids? It's sort of a mid-life Ragnarok – not a crisis, but a turning of the corner. Whether it’s the security you now have, or because you’re now dying in a sense more than growing up, that search for uncertainty becomes even more pressing.”\u003c\/p\u003e\n\n\u003cp\u003eThat dialogue between older and younger selves is apparent on “Heimdal” musically too. As far out as the album reaches, you’ll find homages to Enslaved’s formative influences, from bracing, German thrash riffs to the propulsive backbeat of Led Zeppelin. But they’re the motor for fresh, and often unexpected pastures.\u003c\/p\u003e\n\n\u003cp\u003eBeginning with the creaking of ropes, the lapping of waves, and the blowing of a horn, “Behind The Mirror”, is a mix of wanderlust and Grutle’s flint-edged prophetic sermons. “Congelia” rides the crest of the most furious of waves, while “Kingdom” is a tumbling, psychedelic odyssey with a heart-in-mouth, up-is-down momentum that only labelmates Oranssi Pazuzu could match. But it’s the constant shifting and counterpoints of “Heimdal”’s overall dynamics that give it such a sense of immersion and wholeness.\u003c\/p\u003e\n\n\u003cp\u003eIf you find yourself not knowing where “Heimdal” is going to take you next, that is very much the point. The album is bookended by “Behind The Mirror” and the title track itself, both of which reflect each other conceptually, in terms of being in thrall to their own of transitional states.\u003c\/p\u003e\n\n\u003cp\u003e“I would say that Heimdal is an album that points towards new beginnings and a dawn that’s on the other side of the apex of the land,” Ivar explains. “You don’t know what’s on the other side, but you go there. It’s a continuation of the ‘Utgard’ concept. Of course, you have to go into the darkness, that’s all metal and good, but the consequence is that you have to go into the dawn and see what the new day brings.”\n“Heimdal” is reflection of paths travelled, a promise of a new beginning, and a rite of passage between the two. Truly an album for all times.\u003c\/p\u003e\n","brand":"Enslaved","offers":[{"title":"Default Title","offer_id":44805220991261,"sku":"406562966182","price":12.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/4842\/8061\/files\/SharedImage-145240.png?v=1747954216"},{"product_id":"opvs-contra-natvram-limited-edition-digibook-cd","title":"Opvs Contra Natvram: Limited Edition Digibook CD","description":"\u003cp\u003eIn the annals of metal there is no band more synonymous with an unswerving commitment to the single-minded defiance of expectation than BEHEMOTH. Over the course of their remarkable 31-year career, these Polish hellraisers – spearheaded by Adam Darski, aka Nergal – are more than just the architects of their country’s legendary extreme metal scene. Over the course of three decades and previous 11 albums, Nergal’s singular vision has forged BEHEMOTH into something far more than a mere black metal band. Beyond any confines of genre, they have grown to become nothing less than the personification of rebellion, individuality and unflinching self-expression informed by a literate worldview and worldliness that’s resulted in a locking of horns with everything from the mainstream press to the Polish Catholic church – most notably manifesting in Nergal’s trial for blasphemy in 2010 that only served to expose the deep-seated hypocrisies that his music seeks to challenge. It also highlighted the distinct lack of fucks that he has to give.\u003c\/p\u003e  \n\n\u003cp\u003eNow world-renowned and yet exuberantly underground in their convictions, BEHEMOTH are perhaps the unlikeliest of success stories, but if their stratospheric ascent and hard-won commercial achievement can be attributed to anything, it’s a cast-iron unwillingness to compromise. As Opvs Contra Natvram, their 12th studio release heralds from the rooftops – their longevity is down to a resolute commitment to find new ways to enthrall and inspire their ever-growing legion of latter-day heretics, a determination which shows no signs of erosion. It’s changing times and new battles to fight to which Nergal attributes BEHEMOTH’s unique ability to sound fresh despite their incredible tenure. Therein lies the inspiration for the album’s title and striking cover artwork.\u003c\/p\u003e   \n\n\u003cp\u003eNever being fully satisfied and never getting comfortable is the basis of the ferocious sounds to be found on Opvs…, too, and as Nergal explains, our viral armageddon afforded him the perfect opportunity to luxuriate in the one thing that BEHEMOTH’s growing empire has never afforded him - time. \u003c\/p\u003e  \n\n\u003cp\u003e“This is the most thoughtful, the most thought-through, the most mature thing we’ve done – it’s quintessentially BEHEMOTH” he says. “It’s just bangers – all meat, no fat.” \nRenowned for his meticulous attention to detail and absolute creative control of BEHEMOTH’s world, the depressurised environment afforded by the pandemic meant that for nearly the first time since the band’s inception there was no deadline to observe, allowing for a nearly unprecedented level of attention to the process of writing and recording.\u003c\/p\u003e  \n\n\u003cp\u003eThe 12 chapters of fury that make up Opvs Contra Natvram were written and recorded over the course of a very strange year for the world, a situation which only heightened the level of craft seen in these 43 minutes and 15 seconds of honed, searing wrath. As with previous studio outings, Opvs… was produced by BEHEMOTH with engineering duties undertaken by acclaimed Meshuggah, Dimmu Borgir and In Flames producer Daniel Bergstrand. Mixing, however, involved a new player on the chessboard who you’d be hard-pressed to guess - famed producer and mixer Joe Barresi, a studio legend with a breathtaking credits list which includes Queens of the Stone Age, Nine Inch Nails, Alice in Chains and Tool just to name a few. He was chosen for his celebrated ability to simultaneously preserve a studio recording’s organic feel and identity, and the inspiration for the decision comes from a place you’d least expect.\u003c\/p\u003e  \n\n\u003cp\u003e“So much sounds flat,” says Nergal. “It’s not about how professional you sound, because everything sounds professional and overproduced these days, but you don’t need to make everything perfect – just let it breathe. When you listen to David Bowie, every song has identity – I asked, ‘does the scene really need another album that sounds like everything else?’ Every record I’ve made is me standing in front of motherfucking Mount Everest. Do I make it? Well I have to try.”\u003c\/p\u003e   \n\n\u003cp\u003eAnd from the sound of Opvs… there is no doubting the artistic summit that Nergal and BEHEMOTH are aiming for. From the colossal energy of opener Post-God Nirvana to the epic and righteous indignation of Ov My Herculean Exile and album-closer Versvs Christvs - a riveting extended track featuring piano and clean vocals which are destined to turn heads BEHEMOTH’s latest is the ultimate soundtrack to these strange and troubled times.\u003c\/p\u003e   \n","brand":"Behemoth","offers":[{"title":"Default Title","offer_id":44805414420765,"sku":"727361598303","price":29.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/4842\/8061\/files\/SharedImage-135259.png?v=1746745355"},{"product_id":"rashomon-cd","title":"Rashomon: CD","description":"\u003cp\u003eSay the name TRIVIUM and reverence follows. That’s because in the annals of modern metal there are few stories more illustrious or celebrated than the one that began with that group of impossibly young Floridian misfits dreaming of the lighted stage over 20 years ago. In the time since those heady days, their career has been burnished by the kind of triumphs wrought by the sweaty toil of relentless touring and the steady anvil-beat of landmark releases that have won them a legion of fans around the world. Just as TRIVIUM have tirelessly forged their careers, so too have those ceaseless hammer-blows shaped Matt Heafy who, with each passing year, has taken shape as an artist, songwriter and thrilling frontman on stage, and one of metal’s most compelling voices when he’s off.\u003c\/p\u003e\n\n\u003cp\u003eGiven the close intertwining of Matt and TRIVIUM’s stories, you’d have thought the two would be inseparable, but not so, because IBARAKI – the name for a terrifying Japanese demon taken from feudal legend – is more than a solo record. As he tells it, it’s the end-result of a journey to find his voice. It’s personal, it’s deep, and as he explains, its inspirations include everything from an adoration for the extremes of black metal, to the exuberant storytelling of Gerard Way, to the adventuresome worldliness of tragic bon viveur Anthony Bourdain. It’s a reflection of his multifaceted interests as well as a profound affirmation of his Japanese-American identity, and one that led him to confront one of his family’s most tragic moments. Like the artist behind it, there is much to the story of IBARAKI and it began with a timid email to one of black metal’s most revered and influential figures.\n\tIt was Matt’s exposure to Ihsahn’s solo work that would inspire the gradual craftsmanship that would eventually become IBARAKI. It was also the beginning of a friendship and creative collaboration that would eventually compel Ihsahn to take a leap of his own into a newfound role as producer on the project. While much of the material for IBARAKI was assembled over those months and years – as much a songwriting process as an exchange of ideas between friends – it wasn’t until the pandemic that the space was created and the idea could really flourish. “It was very loose,” says Ihsahn. “We just had rough demos for a very long time because we’re arguably pretty busy people, but suddenly everything was cancelled and we had time on our hands for the first time, so it was like, ‘OK, let’s do this.’ We never got to work in the same room; he’d track guitars and send them to me, I’d run them through my studio and send them back. It was a new way of working, but it was like he was there on the other side of the glass. Matt is a very, very positive energetic and passionate music fan – we have similar attitudes to music and open mindedness. We hit it off, and it’s been really rewarding to me. I’ve always been on the artist's side, but Matt made it so easy for me because there’s no ego and he’s so open to new perspectives and he isn’t afraid of changing directions. He has such a wide range of musical influences. We talked about that and it was very obvious for me that he could extend his talents to a wider range. In all extreme genres there’s always a very small stereotypical framework of what you're supposed to do.”\u003c\/p\u003e\n\t\u003cp\u003eBut IBARAKI was more than just an expression of Matt and Ihsahn’s deep creative resonance. He got by with a little help from his friends, too. While primarily written by Matt, Ihsahn engineered and produced and contributed some song structures, plus TRIVIUM drummer Alex Bent and bassist Paolo Gregoletto and guitarist Corey Beaulieu contributed to various tracks. Ihsahn’s wife Heidi even sampled some natural sounds from the forest near their home and his entire family and Gerard Way contributed guest vocals to the song “Ronin”. “We got Nergal doing guest vocals on ‘Akumu’, too, which was just amazing,” says Matt\u003c\/p\u003e\t.\n\t\u003cp\u003eAs pivotal as Matt’s interactions with novice producer Ihsahn would be, it wasn’t just his perspective on music that was about to change. The shift that would imbue IBARAKI with its unique culturdentity – aside from its joyous musical eccentricities and creative sojourns which really have to be heard to be believed – but it’s the inspirational personal journey behind it that makes it a true standalone. That’s because just as Ihsahn encouraged Matt to break with the limiting musical conventions of the genre, he also motivated him to seek out new avenues for lyrical inspiration.\u003c\/p\u003e\n\t\u003cp\u003eMore than an album simply inspired by Japanese mythology and folklore, to Matt, IBARAKI is – like so many things from the land of the rising sun – an album that exists on two levels. The imaginary and the literal. The layers of meaning also abound, as do demons both real and imagined.So it wasn’t just the rich mythology and folklore of Japan that would give IBARAKI its unique aesthetics and influences – it would provide Matt with the catalyst to contemplate his own identity and to consider how recent tragedies stateside have highlighted the need for better representation in metal. 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A pandemic, new wars in Europe, massive protests \u0026amp; riots, an attempted insurrection, Western democracy wavering, rising authoritarianism, wildfires and natural disasters and the destabilization of the global order all informed Will Of The People.  It has been a worrying and scary time for all of us as the Western empire and the natural world, which have cradled us for so long are genuinely threatened.  This album is a personal navigation through those fears and preparation for what comes next.”\u003c\/p\u003e\n\n\u003cp\u003eWith Muse being Muse, there is NO bowing to any singular genre.  The album’s title track “Will Of The People” brings playful provocation to a dystopian glam-rocker while there is an innocence and a purity to the nostalgic electronic textures of “Verona.” From the visceral thrill of “Won’t Stand Down,” to the industrial-tinged, granite heavy riffs of “Kill Or Be Killed,” or the lightning-bolt rush of “Euphoria,” the album concludes with the frenetic finale of the brutally honest “We Are Fucking Fucked.”\u003c\/p\u003e\n\n\u003cp\u003eOn the band’s new single “Compliance,” Bellamy says, “‘Compliance’ is about submission to authoritarian rules and reassuring untruths to be accepted to an in-group.  Gangs, governments, demagogues, social media algorithms \u0026amp; religions seduce us during times of vulnerability, creating arbitrary rules and distorted ideas for us to comply with.  They sell us comforting myths, telling us only they can explain reality while simultaneously diminishing our freedom, autonomy and independent thought.  We are not just coerced, we are herded, frightened and corralled to produce a daily ‘2 minutes of hate’ against an out-group of their choosing and to turn a blind eye to our own internal voice of reason \u0026amp; compassion.  They just need our Compliance.”\u003c\/p\u003e\n\n\u003cp\u003e“Compliance” is immediately addictive, embellished with sleek synths and elements of off-kilter alt-pop.  As Bellamy sings, “We just need your compliance \/ You will feel no pain anymore \/ No more defiance \/ Just give us your compliance,”  the crashing of the drums and intermittent bass cause the song to swell with power.  The accompanying video (directed by Jeremi Durand and shot in Poland) was inspired by the film ‘Looper’ and follows three children wearing masks destroying their future selves in order to escape a dystopian and oppressive world. Watch HERE.\u003c\/p\u003e\n \n\u003cp\u003eWill Of The People was produced by Muse. Key collaborators include mixing on eight tracks by the multiple Grammy Award winner Serban Ghenea; mixing from Dan Lancaster on “Won’t Stand Down,” and additional mixing on “Kill Or Be Killed” from Aleks von Korff. \u003c\/p\u003e\n \n\u003cp\u003eWill Of The People is now available to pre-order now, with “Compliance” and “Won’t Stand Down” provided as instant downloads. It will be released on digital, black vinyl and CD, as well as a selection of collectible formats. These include a marbled double-vinyl which is available exclusively from the band’s official store.\u003c\/p\u003e\n\n\u003cp\u003eMuse is Matt Bellamy, Dominic Howard and Chris Wolstenholme. Their last album, Simulation Theory, debuted at #1 in multiple territories  and marked the band’s sixth straight album to debut in the U.K top spot. Their previous studio album, Drones, went on to win a Grammy Award for Best Rock Album, the band’s second.. Since forming in 1994, Muse have released eight studio albums, selling over 20 million units worldwide.\u003c\/p\u003e","brand":"Muse","offers":[{"title":"Default Title","offer_id":44805994840349,"sku":"190296383731","price":11.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/4842\/8061\/files\/SharedImage-139342.jpg?v=1747090903"},{"product_id":"extra-force-vinyl-lp","title":"Extra Force: Vinyl LP","description":"\u003cp\u003eThe ride through H.E.A.T City continues! After hymns of praise from media and fans for their latest album “Force Majeure”, Swedish heirs of 80’s Hard Rock H.E.A.T promise to deliver more of the same energy with their follow-up “Extra Force”!\u003cbr\u003e\nThe longplayer contains two unreleased studio tracks – the empowering anthem “Freedom” and the sentimental rock ballad “Will You Be”.\u003cbr\u003e\nLast year’s most significant change to the band's line-up is the return of original singer Kenny Leckremo – “Extra Force” for the first time includes tracks previously sung by Erik Grönwall now with Kenny on vocals.\u003cbr\u003e\nEveryone who has seen them live knows: these guys give everything on stage! The four in 2022 live recorded tracks capture the energy of their dynamic live performances.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eTracklisting:\u003c\/strong\u003e\u003cbr\u003e\n1. Freedom\u003cbr\u003e\n2. Will You Be\u003cbr\u003e\n3. Rise (with Kenny)\u003cbr\u003e\n4. One By One (with Kenny)\u003cbr\u003e\n5. 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'600 SZN 2' is a further display of this versatility as Ghostface600 effortlessly combines the usual darkness of drill, with the melodic approach found at the centre of the trap-wave scene in the UK. Ghostface600 is slowly but surely cementing himself as one of the most promising rappers coming out the UK.\u003c\/p\u003e\n","brand":"Ghostface600","offers":[{"title":"Default Title","offer_id":45085396238621,"sku":"3892278","price":6.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/4842\/8061\/products\/SharedImage-126051.png?v=1692040028"},{"product_id":"cypress-hill-cd","title":"Cypress Hill: CD","description":"\u003cp\u003eSomewhere in between the rock-star mischief of the Beastie Boys and the slow-creeping funk of Dr. Dre, Cypress Hill introduced their hazy-eyed sound to the world on their self-titled 1991 debut and things have never quite been the same since. The original Cypress Hill album captures the group at their risk-taking best, mixing gangster posturing, LA street politics, Latin flavor and warped humor together under a thick cloud of weed smoke and innovative beats. Nasal-voiced rapper B-Real and his partner Sen Dog, backed by the adventurous production styles of DJ Muggs, produce classics records like “How I Could Just Kill a Man,” “Pigs,” “Stoned is the Way of the Walk” and “Hand on the Pump.” Since its release, the album has won acclaim as one of Rolling Stone's “Essential Recordings of the 90s” and “Top 100 Best Rap Albums” by The Source magazine. 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He has self-released four mixtapes since 2011 and his debut single ‘Yay’ sold over 30,000 copies – staggering figures that fully justify the hysteria surrounding Nines’ rap pedigree and which reinforce that this is no false dawn, but a golden age for UK rap music.\u003c\/p\u003e\n\n\u003cp\u003eIn addition to the mixtapes and singles, Nines is also infamous for his ‘JD Sports Shutdown’ and ‘Turkey Shutdown’ videos (the former featured on Worldstarhiphop.com), which saw the rapper taking kids from his neighbourhood to JD Sports to buy them new trainers, as well as providing Christmas turkeys to those less fortunate to the whole of his Church Road Estate.\u003c\/p\u003e\n\n\u003cp\u003eWith production from the likes of Jevon (New Gen) and Menace (Desiigner’s Panda) and featuring guest appearances from Taylor Gang’s Berner, previous collaborator Tiggs Da Author, J Hus and Akala, One Foot Out sees Nines stepping out of his comfort zone and displaying the depth of UK rap. His charismatic, laid back flow covers braggadocio on ‘High Roller’ (Came through in the Audi you’re in that Honda Accord \/ All this gold got me looking like a Oscar Award), soul searching on ‘I Wonder’ (Wonder how all these guns get in to my area \/ wonder why they care about celebs instead of Syria) and is filled with pop culture references (acting like he’s shotting all that coke \/ looking invisible in the club like he’s got on Harry Potter’s cloak), One Foot Out is a statement of intent that should promote Nines into rap’s premiere league.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003cbr\u003e\n1    Intro     \u003cbr\u003e\n2    Going In     \u003cbr\u003e\n3    Trapper Of The Year (Feat. Jay Midge)     \u003cbr\u003e\n4    Love 2 The Game (Feat. Hudson East)     \u003cbr\u003e\n5    Getting Money Now     \u003cbr\u003e\n6    These Keys (Feat. Berner)     \u003cbr\u003e\n7    Stacey Adams     \u003cbr\u003e\n8    Hoes (Feat. 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Like his 2004 landmark Disposable Arts, Son of Yvonne is meticulously constructed with stories, settings, and characters that resonate with flesh and bone humanity. Interstitial vignettes provide a thematic backbone to the experience, and each track complements and completes the previous to form a narrative whole: a sometimes visceral, sometimes nostalgic slice of Ace’s young life in Brownsville, Brooklyn.\u003c\/p\u003e\n\n\u003cp\u003eEntirely underscored by MF Doom’s iconic Special Herbs instrumentals, Son of Yvonne features the Juice Crew general Big Daddy Kane, new comers Pav Bundy (The Bundies), Reggie B and even MF Doom on the mic. 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Tragically, his younger brother passed away, aged just one. He watched his stepfather hustle, his uncle struggle with addiction and Ty himself grappled with his own racial identity, “I didn’t fit in with a group because I weren’t black nor white”.\u003c\/p\u003e\n\n\u003cp\u003eChannelling these experiences into his debut, Ty is totally immune to self-pity. On the title track he sets about systematically dismantling the stereotypes of British culture, bating the Royals and lampooning the jingoistic bluster that has ultimately led to Brexit and a surge in nationalism. “Tea, biscuits, the roads: everything we associate with being British isn’t British,” he cries today. “What’s so great about Britain? The fact we were an empire based off of raping and pillaging and killing, and taking other people’s culture and making it our own?” And yet, in the closing bars, when Ty growls, “Hand on heart, I’m proud to be British,” he means it. “It’s the people that make Britain great,” he explains. “The whole album’s about community and coming together, because your family, your community and the bonds we have as people is all that matters.”\u003c\/p\u003e\n\n\u003cp\u003eLargely recorded in early 2018 in East London, with Kwes Darko producing, the album serves up a succession of candid snapshots of British life. Drugs, disaffection, depression and the threat of violence all loom in Ty’s visceral verses, but so too does hope, love and defiance. Linking up with Skepta for the Tarantino-referencing ‘Inglorious’, the pair warn haters, “Come up against us and you’ll fail.” ‘Dead Leaves’ celebrates cutting off toxic relationships, the nostalgic ‘Toaster’ explores the construct of UK society and the authorities misled impression of people like him, while on ‘Grow Up’ - featuring Birmingham MC Jaykae - Ty preaches the importance of being present in the moment.\u003c\/p\u003e\n\n\u003cp\u003eThose familiar with Ty’s previous form badmouthing Brexit and trolling Theresa May might find Nothing Great About Britain less explicitly political than expected. This lack of specifics is born out of a desire not to date a record that he hopes will “resonate with people 40 years down the line.” In actual fact, its Ty’s decision to deal unflinchingly with painful personal experiences that make his debut such a deeply political record. The album’s focal point is unquestionably the autobiographical closing track. 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These sessions were then refined or recreated, and later elevated further with key collaborations by Rachel Goswell(Slowdive), Justin Meldal-Johnson(Beck, M83, Air), and Ben Greenberg (Uniform, Circular Ruin Studio). An Object In Motionis true to its title, capturing the chrysalis moment of an artist evolving, reborn and untethered, silhouetted against an open horizon.\u003c\/p\u003e\n\n\u003cp\u003e“Cape Perpetua” kicks off the collection’s divergent palette: sparkling acoustic finger-picking refracted through delay, equal parts raga and reverie. Melodies and moods congeal and dissipate, at the threshold of rustic American primitivism, brooding neo-folk, and pastoral melancholia. “The Skin And The Glove” deploys jangle to different effect –baggy, soaring, grey-skied kaleidoscopic pop in the spirit of Stone Roses, Primal Scream, and The Glove. Rachel Goswell lends her iconic free fall voice to The Cure-esque ballad, “Vanity,” infusing poetic gravity to the doomed refrain: “If the valve breaks \/ then the earth quakes \/ and history finds a way \/ to put you in your place.”\u003c\/p\u003e\n\n\u003cp\u003e“Yield To Force”, the closing track of the EP, may be the most anomalous offering of the set. A 15-minute instrumental odyssey of cyclical strings, ominous slide guitar, and simmering synthesizer, the piece sways and spirals like a long zoom into distant storm clouds. Demure finesses the guitar with a restless but regal grandeur, unfolding a panorama of peaks, shadows, and plateaus. It’s music both intuitive and prophetic, tracing the slow swing of pendulums across an endless plain. 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We had a few days off in Paris and we recorded 'When You're Gone', 'Free to Decide' and 'I Just Shot John Lennon.' Tim was a lovely guy and the recordings sounded great but we felt he was a little similar in style to Steven Street [who had produced the band’s previous two albums] and we wanted to try something different. We had been touring a lot and wanted more of a live sound.”\u003c\/p\u003e\u003cp\u003eSwitching gears, they chose Bruce Fairbairn who was known for working with hard rock bands such as Aerosmith, AC\/DC and Van Halen. “When the tour finished, we took a short break and met with Bruce and his genius engineer Mike Plotnikoff in Windmill Lane studio in Dublin,” he continues. “It was a very different experience for both ourselves and Bruce, he was used to working with heavy rock bands and we were used to working with Steven [Street], but it worked out really well. Bruce and Mike managed to capture that big, live sound we were looking for at that time, especially on songs like 'Salvation', 'Hollywood' and 'Electric Blue' but they also did a fantastic job on softer songs like 'When you're Gone', 'The Rebels' and 'Bosnia.'”\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eTrack List:\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eDisc One – To The Faithful Departed – Deluxe Remaster\u003cbr\u003e\u003c\/p\u003e\u003col\u003e\n\u003cli\u003eHollywood\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eSalvation\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eWhen You're Gone\u003c\/li\u003e\n\u003cli\u003eFree To Decide\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eWar Child\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eForever Yellow Skies\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eThe Rebels\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eIntermission\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eI Just Shot John Lennon\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eElectric Blue\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eI'm Still Remembering\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eWill You Remember?\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eJoe\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eCordell\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eBosnia\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eThe Picture I View\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eGo Your Own Way\u003c\/li\u003e\n\u003c\/ol\u003e\u003cp\u003eDisc Two – Unreleased Demos and Outtakes\u003cbr\u003e\u003c\/p\u003e\u003col\u003e\n\u003cli\u003eWhen You're Gone (Paris demo)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eI Just Shot John Lennon (Paris demo)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eFree To Decide (Paris demo)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eThe Rebels (Outtake)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eHollywood (Outtake)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eCordell (Early mix)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eBosnia (Early mix)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eSalvation (Early mix)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eWhen You're Gone (Early mix)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eElectric Blue (Early mix)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eIntermission (Early mix)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eJoe (Early mix)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eFree To Decide (Alternate mix)\u003c\/li\u003e\n\u003c\/ol\u003e\u003cp\u003eDisc Three – 1996 Free To Decide tour\u003cbr\u003e\u003c\/p\u003e\u003col\u003e\n\u003cli\u003eIntermission + Forever Yellow Skies (Live in Toronto)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eSunday (Live in Toronto)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eLinger (Live in Toronto)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eThe Rebels (Live in Toronto)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eWaltzing Back (Live in Toronto)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eI Can't Be With You (Live in Toronto)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eFree To Decide (Live in Detroit)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eDreams (Live in Detroit)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eHollywood (Live in Detroit)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eZombie (Live in Detroit)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eDreaming My Dreams (Live in Detroit)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eThe Icicle Melts (Live in Detroit)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eSalvation (Live at Milton Keynes Bowl)\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"The Cranberries","offers":[{"title":"Default Title","offer_id":46385127981341,"sku":"5570951","price":23.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/4842\/8061\/files\/To_The_Faithful_Departed.png?v=1750413783"},{"product_id":"maxinquaye-reincarnated-super-deluxe-2cd","title":"Maxinquaye (Reincarnated): Super Deluxe 2CD","description":"\u003cp\u003eThe super deluxe reissue of Tricky’s ‘Maxinquaye’, his debut album from 1995. The album has sold over half a million copies to date and always appears on authoritative lists of the greatest ever albums, including NME’s “500 Greatest Albums List, Q’s “List of the 100 Greatest British Albums”, Mojo’s “100 Modern Classics” and Rolling Stone’s “Essential Recordings of the 90s”.\u003c\/p\u003e\n\n\u003cp\u003eThis reissue is a welcome reappraisal of Tricky’s seminal album as it approaches its 30th anniversary (2025). 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It serves as the companion piece to the Mixing Up The Medicine book, which offers an unprecedented look into the Bob Dylan Archive. Set for release on Oct. 24, 2023, this magnum opus will include nearly 1,000 images, most of which have never been seen by the public, alongside original essays by prominent writers and artists.\u003c\/p\u003e\n","brand":"Bob Dylan","offers":[{"title":"Default Title","offer_id":46523681014045,"sku":"19658830972","price":32.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/4842\/8061\/files\/MixingUpTheMedicineCD.webp?v=1746481591"},{"product_id":"noche-vinyl-lp","title":"NOCHE: Vinyl LP","description":"\u003cp\u003eFollowing the international success of PLANET and LETTER, pianist Sofiane Pamart presents his third solo album, NOCHE.\u003cbr\u003e\n\u003cbr\u003e\nHis first work was a travel around the world, the second was a love letter addressed directly to his audience, and this third project will plunge you into the depths of the night.\u003cbr\u003e\n\u003cbr\u003e\nAlways nomadic by nature, always keen to cherish the strong bond he has forged with his audience, Sofiane Pamart is back this time after an adventure of several months spent in Latin America, where he composed the entirety of this new album.\u003cbr\u003e\n\u003cbr\u003e\nNow firmly established as a star pianist, he delivers 15 new compositions featuring all the ingredients that have forged his universe: travel, poetry, melancholy, romance, snarls and mystery.\u003cbr\u003e\n\u003cbr\u003e\n\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003cbr\u003e\n1. 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Originally a loose conglomerate with various members, Power added guitarist Liam 'Skin' Tyson and drummer Keith O' Neill, and by 1994 Cast were signed to Polydor.\u003cbr\u003e\n\u003cbr\u003e\nLed by singles Finetime and Alright, Cast's blend of ultra- melodic Merseybeat Britpop proved that they were the right band at the right time. All Change became a runaway success, selling over a million and becoming the fastest-selling debut album in Polydor's history, bolstered by further singles Sandstorm and Walkaway. The catchy, upbeat album closed with the eight- minute epic Two Of A Kind, showing that the band had sufficient skills to take on any Britpop heavyweight.\u003cbr\u003e\n\u003cbr\u003e\n\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003cbr\u003e\n1. Alright\u003cbr\u003e\n2. Promised Land \u003cbr\u003e\n3. Sandstorm \u003cbr\u003e\n4.  Mankind \u003cbr\u003e\n5. Tell It Like It Is \u003cbr\u003e\n6.  Four Walls \u003cbr\u003e\n7. Finetime \u003cbr\u003e\n8. Back Of My Mind \u003cbr\u003e\n9. Walkaway \u003cbr\u003e\n10. Reflections \u003cbr\u003e\n11. History\u003cbr\u003e\n12. Two Of A Kind\u003c\/p\u003e\n","brand":"Cast","offers":[{"title":"Default Title","offer_id":46722995454237,"sku":"UMCLP59","price":41.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/4842\/8061\/files\/cast_all_change.png?v=1746391563"},{"product_id":"i-o-2cd","title":"i\/o: 2CD","description":"\u003cp\u003eMore than 20 years in the making, this December finally sees the release of i\/o, Peter Gabriel’s first album of new material since 2002’s Up.\u003cbr\u003e\u003cbr\u003eDuring 2023, Peter has been releasing a new song from the album on the occasion of every full moon. Being revealed roughly every four weeks, each track has been allowed to find its own time and space, to enjoy its own orbit. “It’s a little like getting a Lego piece each month,” Peter explains. Now it’s time to stand back and admire the final, completed creation.\u003cbr\u003e\u003cbr\u003eAnd what a creation – 12 tracks of grace, gravity and great beauty that provide welcome confirmation of not only Peter’s ongoing ability to write stop-you-in-your-tracks songs but also of that thrilling voice, still perfectly, delightfully intact. Throughout the album the intelligent and thoughtful – often thought-provoking – songs tackle life and the universe. Our connection to the world around us – ‘I’m just a part of everything’ Peter sings on title track i\/o – is a recurring motif, but so too the passing of time, mortality and grief, alongside such themes as injustice, surveillance and the roots of terrorism. But this is not a solemn record. While reflective, the mood is never despondent; i\/o is musically adventurous, often joyous and ultimately full of hope, topped off as it is, by the rousingly optimistic closing song, Live and Let Live.  \u003cbr\u003e\u003cbr\u003eAlways looking to push the boundaries, i\/o is not simply a collection of a dozen songs. All 12 tracks are subject to two stereo mixes: the Bright-Side Mix, handled by Mark ‘Spike’ Stent, and the Dark-Side Mix, as reshaped by Tchad Blake. “We have two of the greatest mixers in the world in Tchad and Spike and they definitely bring different characters to the songs. Tchad is very much a sculptor building a journey with sound and drama, Spike loves sound and assembling these pictures, so he’s more of a painter.” Both versions are included on the double-CD package, and are also available separately as double vinyl albums. And that’s not all. 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The set includes symphonies by Haydn, Beethoven and Tchaikovsky, and the celebrated symphonic cycles of Brahms and Mendelssohn, alongside choral music by Brahms, Mendelssohn, and Schubert. Rare operatic recordings from the archives of Deutsche Grammophon as well as the more familiar Wagner recordings from Bayreuth are also included, as well as Lieder with Fischer-Dieskau, Prey and Schreier. The set is a limited-edition Original Jackets collection, accompanied by a probing liner note by Rémy Louis.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003cbr\u003eCDs 1–2 BEETHOVEN\u003cbr\u003eFidelio Overture · König Stephan Overture\u003cbr\u003eSymphonies Nos. 6 \u0026amp; 7\u003cbr\u003eCONCERTGEBOUWORKEST\u003cbr\u003e \u003cbr\u003eCDs 3–6 BRAHMS\u003cbr\u003eAcademic Fesval Overture\u003cbr\u003eEin deutsches Requiem WILMA LIPP · FRANZ CRASS · SINGVEREIN DER GESELLSCHAFT DER MUSIKFREUNDE\u003cbr\u003eAlto Rhapsody AAFJE HEYNIS · SINGVEREIN DER GESELLSCHAFT DER MUSIKFREUNDE\u003cbr\u003eSchicksalslied SINGVEREIN DER GESELLSCHAFT DER MUSIKFREUNDE\u003cbr\u003eSt Anthony Variaons\u003cbr\u003eSymphonies Nos. 1–4\u003cbr\u003eTragic Overture\u003cbr\u003eWIENER SYMPHONIKER\u003cbr\u003e \u003cbr\u003eCDs 7–11\u003cbr\u003eHAYDN Symphonies 92, 94, 100, 101\u003cbr\u003eMENDELSSOHN Symphony No.4 “Italian”\u003cbr\u003eSCHUBERT Symphonies 1, 5, 8, 9\u003cbr\u003eWIENER SYMPHONIKER\u003cbr\u003e \u003cbr\u003eCDs 12–14 MENDELSSOHN\u003cbr\u003eRuy Blas Overture\u003cbr\u003eSymphonies 1–5\u003cbr\u003eNEW PHILHARMONIA ORCHESTRA\u003cbr\u003e \u003cbr\u003eCDs 15–16 MENDELSSOHN Elias (Elijah)\u003cbr\u003eTHEO ADAM · ELLY AMELING · ANNELIES BURMEISTER · PETER SCHREIER · RUNDFUNKCHOR LEIPZIG\u003cbr\u003eGEWANDHAUSORCHESTER\u003cbr\u003e \u003cbr\u003eCDs 17–22 SCHUBERT\u003cbr\u003eMasses Nos. 5 \u0026amp; 6 HELEN DONATH · INGEBORG SPRINGER · PETER SCHREIER · HANS-JOACHIM ROTZSCH · THEO\u003cbr\u003eADAM · RUNDFUNKCHOR LEIPZIG\u003cbr\u003eOvertures 1 \u0026amp; 2 in the Italian Style\u003cbr\u003eSymphonies Nos. 1–6, 8, 9\u003cbr\u003eSTAATSKAPELLE DRESDEN\u003cbr\u003e \u003cbr\u003eCDs 23–24 J. STRAUSS II\u003cbr\u003e“Strauss Concert” · “Strauss-Walzer”\u003cbr\u003e“Wolfgang Sawallisch dirigiert Johann Strauss”\u003cbr\u003eWIENER SYMPHONIKER\u003cbr\u003e \u003cbr\u003eCD 25 TCHAIKOVSKY Symphony No. 5\u003cbr\u003eCONCERTGEBOUWORKEST\u003cbr\u003e \u003cbr\u003eCD 26 BARTÓK Bluebeard’s Castle\u003cbr\u003eJULIA VARADY · DIETRICH FISCHER-DIESKAU\u003cbr\u003eBAYERISCHE STAATSOPER\u003cbr\u003e \u003cbr\u003eCD 27\u003cbr\u003eLORTZING Der Wildschütz: Overture · Count’s Aria HORST GÜNTERMASCAGNI Cavalleria ruscana: excerpts in Italian \u0026amp; German MARIANNE SCHECH · JAMES PEASE\u003cbr\u003eNICOLAI Die lusgen Weiber von Windsor: Overture\u003cbr\u003eBAMBERGER SYMPHONIKER\u003cbr\u003e \u003cbr\u003eCDs 28–29 WAGNER\u003cbr\u003eDer fliegende Holländer: Overture\u003cbr\u003eDie Meistersinger von Nürnberg: Preludes to Acts I \u0026amp; III\u003cbr\u003eLohengrin: Preludes to Acts I \u0026amp; III\u003cbr\u003eParsifal: Prelude \u0026amp; Good Friday Spell\u003cbr\u003eRienzi: Overture\u003cbr\u003eSiegfried Idyll\u003cbr\u003eTannhäuser (Paris version): Venusberg Music\u003cbr\u003eWIENER SYMPHONIKER\u003cbr\u003e \u003cbr\u003eCDs 30–37 WAGNER\u003cbr\u003eDer fliegende Holländer JOSEF GREINDL · ANJA SILJA · FRITZ UHL · RES FISCHER · GEORG PASKUDA · FRANZ CRASS\u003cbr\u003eLohengrin JESS THOMAS · ANJA SILJA · ASTRID VÁRNAY · RAMÓN VINAY · FRANZ CRASS · TOM KRAUSE\u003cbr\u003eTannhäuser WOLFGANG WINDGASSEN · ANJA SILJA · GRACE BUMBRY · EBERHARD WÄCHTER · JOSEF GRIENDL ·\u003cbr\u003eGERHARD STOLZE · FRANZ CRASS\u003cbr\u003eCHOR \u0026amp; ORCHESTER DER BAYREUTHER FESTSPIELE\u003cbr\u003e \u003cbr\u003eCD 38 BRAHMS\u003cbr\u003eLiebeslieder-Walzer · Neue Liebeslieder · 3 Quartete\u003cbr\u003eEDITH MATHIS · BRIGITTE FASSBAENDER · PETER SCHREIER · DIETRICH FISCHER-DIESKAU\u003cbr\u003eKARL ENGEL · WOLFGANG SAWALLISCH (PIANO)\u003cbr\u003e \u003cbr\u003eCD 39 SCHUBERT Winterreise\u003cbr\u003eHERMANN PREY\u003cbr\u003eWOLFGANG SAWALLISCH (PIANO)\u003cbr\u003e \u003cbr\u003eCD 40\u003cbr\u003eBRAHMS Folk Songs\u003cbr\u003ePROKOFIEV Children’s Songs\u003cbr\u003eSCHUMANN Dichterliebe · Der Nussbaum\u003cbr\u003ePETER SCHREIER\u003cbr\u003eWOLFGANG SAWALLISCH (PIANO)\u003cbr\u003e \u003cbr\u003eCD 41 R. STRAUSS Lieder\u003cbr\u003eHERMANN PREY\u003cbr\u003eWOLFGANG SAWALLISCH (PIANO)\u003cbr\u003e \u003cbr\u003eCDs 42–43 R. 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